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Frontiers in Art Research, 2023, 5(18); doi: 10.25236/FAR.2023.051802.

The Rise and Commonalities of Eastern and Western Science Fiction Film and Television

Author(s)

Zhe Wu1,2, Zhiyao Wang1,2

Corresponding Author:
Zhe Wu
Affiliation(s)

1School of European Languages, Culture and Society, University College London, London, England

2Department of Film Studies, University College London, London, England

Abstract

This essay explores the rise and commonalities of Eastern and Western science fiction films and television series. It examines the significance of these works in the literary, media, and social contexts, focusing on their exploration of humanities, society, and human nature. It also discusses the influence of Western science fiction on the development of the genre in the East, highlighting the themes of non-human entities, dystopia, superpowers, and interstellar civilizations. It analyzes specific works to illustrate the profound ethical, social, and environmental issues addressed in science fiction. It also concludes that science fiction films and television series serve as a platform for discussing and reflecting on the complexities of human nature and the challenges faced by society, while also providing a temporary escape from reality and stimulating critical thinking.

Keywords

Science Fiction, Film and Television, Eastern and Western, Media, Culture

Cite This Paper

Zhe Wu, Zhiyao Wang. The Rise and Commonalities of Eastern and Western Science Fiction Film and Television. Frontiers in Art Research (2023) Vol. 5, Issue 18: 6-10. https://doi.org/10.25236/FAR.2023.051802.

References

[1] Booker, M. K. (2001). Monsters, mushroom clouds, and the Cold War: American science fiction and the roots of postmodernism, 1946-1964. Bloomsbury Publishing USA.

[2] Bukatman, S. (1993). Terminal identity: The virtual subject in postmodern science fiction. Duke University Press.

[3] Cornea, C. (2007). Science fiction cinema: Between fantasy and reality. Edinburgh University Press.

[4] Geraghty, L. (2009). American science fiction film and television. Berg.

[5] Porst, J. A. (2014). Disruptive Convergence: The Struggle Over the Licensing and Sale of Hollywood's Feature Films to Television Before 1955 (Doctoral dissertation, UCLA).

[6] Smith, A. (2012). Hideous progeny: Disability, eugenics, and classic horror cinema. Columbia University Press.