Welcome to Francis Academic Press

Frontiers in Art Research, 2024, 6(2); doi: 10.25236/FAR.2024.060210.

Formation of Yan Zhenqing's "Open and Upright" Writing Style and His Reflection on Contemporary Calligraphy

Author(s)

Xinming Lu

Corresponding Author:
Xinming Lu
Affiliation(s)

Calligraphy Institute, Hebei Academy of Fine Arts, Shijiazhuang 050700, Hebei, China

Abstract

Dong Qichang's proposal of "using rhyme in the calligraphy of the Jin Dynasty, using method in the calligraphy of the Tang Dynasty, and using meaning in the calligraphy of the Song Dynasty" is a highly summarized summary of the calligraphy art of the three eras, which has been recorded in history for future calligraphers to learn from. Book style is a symbol formed during the development of art in a certain era, and once it is formed, it is accepted and promoted by people. This article takes "open and upright" (Zhengda in Chinese) as the starting point to clarify the origin of its transmission, and takes Yan Zhenqing as an example to explain the formation of his "open and upright" writing style. Furthermore, this article chooses Yan Zhenqing's regular script as a representative work, reflecting the style of Zhongzheng calligraphy, aiming to have important enlightening value for the healthy development of the contemporary literary world.

Keywords

Open and upright writing style; Yan Zhenqing; Contemporary literary world

Cite This Paper

Xinming Lu. Formation of Yan Zhenqing's "Open and Upright" Writing Style and His Reflection on Contemporary Calligraphy. Frontiers in Art Research (2024) Vol. 6, Issue 2: 55-61. https://doi.org/10.25236/FAR.2024.060210.

References

[1] Qin Ying. Book of Changes [M]. Urumqi: New Century Publishing House, 2002, 128.

[2] Kong Fan. Collected Works of Su Shi (Volume 14, Volume 2) [M]. Beijing: Zhonghua Book Company, 1986, 457.

[3] Zhang Yanghao, Xue Xuan. Compilation of a series of books. First edition: Xue Wenqing's Political Record [M]. Beijing: Commercial Press, 1936, 3.

[4] Hao Jing. On Calligraphy by Transferring Scholars. In: Institute of Ancient Book Compilation and Research at East China Normal University. Selected and Continued Calligraphy Papers from Past Dynasties [M]. Shanghai: Shanghai Calligraphy and Painting Publishing House, 1993, 41.

[5] Institute of Ancient Books Compilation and Research, East China Normal University. Selected Calligraphy Papers from Past Dynasties [M]. Shanghai: Shanghai Calligraphy and Painting Publishing House, 1979.

[6] Yan Zhenqing. Grass seal script. In: Yan Zhenqing Collected Works of Yan Lugong (Volume 4) [M]. Beijing: China Bookstore, 2018, 1.

[7] Liu Suoxiang. Yan Zhenqing in Fu Shan's Calligraphy [J]. Journal of Taiyuan Normal University, 1990, 21, 105-108.

[8] Su Dongpo. Dongpo Inscriptions and Postscripts. Xu Weidong Annotations [M]. Beijing: People's Fine Arts Publishing House, 2008, 152.

[9] Ouyang Xiu. Preface to Collected Ancient Records. Annotations by Deng Baojian and Wang Yilin. [M]. Beijing: People's Fine Arts Publishing House, 2010, 161.

[10] Cong Wenjun. History of Chinese Calligraphy • General Introduction [M]. Nanjing: Jiangsu Education Press, 2002, 73.