Welcome to Francis Academic Press

Academic Journal of Humanities & Social Sciences, 2024, 7(5); doi: 10.25236/AJHSS.2024.070522.

Research on the construction of revolutionary cultural heritage knowledge graph and the application of digital cultural innovation

Author(s)

Wanshan Li, Zixi Wang

Corresponding Author:
Wanshan Li
Affiliation(s)

Hunan University, Yuelu, Changsha, 410082, China

Abstract

This paper discusses the application of revolutionary cultural heritage in digital innovative design and proposes a method for constructing a knowledge graph of revolutionary cultural heritage. Revolutionary cultural heritage is not only a witness to historical periods but also serves as the objective carrier of Red Culture. The key focus of this study is to use digital technology to protect and inherit these cultural heritages by integrating scattered resource information through the construction of a knowledge graph, thereby enhancing the efficiency of cultural expression and inheritance. Methodologically, the article details the extraction of entity datasets, the construction of the knowledge graph, and the definition of relationship datasets, emphasizing their importance in digital innovation design.The construction of the knowledge graph includes extracting entity and relationship data from open-source data and establishing a multi-level relationship network to support design retrieval and application. In the design application section, it proposes integrating the knowledge graph into the digital cultural innovative design workflow to address the issues of designers' lack of understanding and difficulty in accessing information about revolutionary cultural heritages in the early stages of design. By applying the knowledge graph, designers can quickly obtain cultural heritage information related to the project, effectively enhancing the spiritual and aesthetic expression of the design outcomes.In summary, the establishment and application of the revolutionary cultural heritage knowledge graph not only strengthen the digital protection and innovative application of cultural heritage but also provide important reference resources and inspiration for digital cultural innovative design, promoting the modern design inheritance and development of Red Culture characteristics.

Keywords

Digital cultural innovation; Revolutionary cultural heritage; Meme; Knowledge graph

Cite This Paper

Wanshan Li, Zixi Wang. Research on the construction of revolutionary cultural heritage knowledge graph and the application of digital cultural innovation. Academic Journal of Humanities & Social Sciences (2024) Vol. 7, Issue 5: 143-148. https://doi.org/10.25236/AJHSS.2024.070522.

References

[1] Jia, X. (2018). The concept and definition of revolutionary cultural relics. Journal of Beijing Normal University (Social Sciences), 06, 141-145.

[2] Jiang, A., Cheng, B., Zheng X. & Yao, F. (2020). The application of long-term preservation metadata in the digital protection project of cultural. Digital Library Forum, 06, 2-7.

[3] Liu, Y. (2020). Serving the overall situation opening a new situation exploring a new pattern of digital interconnection for the protection and utilization of cultural relics. People's Tribune, 25, 6-8.

[4] Choi, Y., Yang, Y., & Sohn, H. (2021). Resilient cultural heritage through digital cultural heritage cube: Two cases in South Korea. Journal of Cultural Heritage, 48, 36–44. 

[5] Kamariotou, V., Kamariotou, M., & Kitsios, F. (2021). Strategic planning for virtual exhibitions   and visitors' experience: A multidisciplinary approach for museums in the digital age. Digital Applications in Archaeology and Cultural Heritage, 21, e00183.

[6] Ch'ng, E., Cai, S., Leow, F., & Zhang, T. (2019). Adoption and use of emerging cultural technologies in China's museums. Journal of Cultural Heritage, 25, 104067.

[7] Kamariotou, V., Kamariotou, M., & Kitsiosb, F. (2020).Virtual and interactive museum of. archeological artifacts from Afrasiyab - An ancient city on the Silk Road. Digital Applications in Archaeology and Cultural Heritage, 18, e00155.

[8] Hou, C. (2020). Protection of revolutionary cultural relics and inheritance of red culture. The People's Congress of China, 2, 45-46.

[9] Kwan, D. H., & Kwan, J. M., (2017). Empowering cultural preservation in China through participatory digitization. Journal of Archaeological Science: Reports, 12, 161–164.

[10] Sharma, M. K., & Siddiqui, T. J., (2016). An Ontology Based Framework for Retrieval of Museum Artifacts. Procedia Computer Science, 84, 169-176.

[11] Yan, Z. (2018). Research Progress of Environment Affect th he Aging of Different Kinds of Photographs. Study on Natural and Cultural Heritage, 3(5), 71-76. 

[12] Lian, J., Li, P., & Zhao, X. (2021). Research on the Metadata Standard of the Revolutionary Cultural Relics. Chinese Museum, 03, 12-19+142.

[13] Dawkins, R. The Extended Selfish Gene, CITIC Press Corporation, Beijing, 1998.

[14] Liu, C. (1988). Cosmic gene· social gene· cultural gene. Philosophical Trends, 11, 29-32.

[15] Zhang, S., Zhang, S., Li, X., & Xi, Z. (2007). Construction of Consensus Map of Resistance Gene in Maize. Chinese Agricultural Science Bulletin, 06, 601-606.

[16] Xu, Z., Sheng, Y., He, L., & Wang, Y. (2016). Review on knowledge graph technifues. Journal of University of Electronic Science and Technology of China, 45(04), 589-606.

[17] Luo, S., Wang, Y., & Zhang D. (2022). A Research on the Evolution of Endogenous Growth and Exogenous Coinnovation in Cultural Industry Digitization. Journal of Zhejiang University (Humanities and Social Sciences), 52(04), 94-104. 

[18] Luo, S., Wang, Y., Zhong, F., & Guo, Q. (2023). A Research on the Digital Development and Communication Strategy ofTranslating Cultural Genes by lnnovative Design. Journal of Zhejiang University (Humanities and Social Sciences), 53(01), 5-18.