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Frontiers in Art Research, 2024, 6(8); doi: 10.25236/FAR.2024.060814.

The Study of Piano Pedal Use in “Secondary Creation” in Baroque and Classical Period

Author(s)

Long Lin

Corresponding Author:
Long Lin
Affiliation(s)

Wuchang Institute of Technology, Wuhan City, Hubei Province, 430065, China

Abstract

The use of pedals in piano performance is a critical factor and an irreplaceable tool for pianists. Pedals allow for a range of expressive possibilities, from sustaining notes to creating dynamic contrasts and articulations that are otherwise unachievable. Understanding how to apply pedals appropriately requires a deep comprehension of diverse compositions and the intentions of the composers. Each composer might have a different approach to pedal use, and this understanding helps achieve a performance that is true to the spirit of the music. The nuanced use of pedals has played a pivotal role in shaping the performances of piano music across different historical periods, contributing to the richness and diversity of piano repertoires[2]. This research focuses on the piano pedal, explicitly examining its fundamental structure, the differences in pedal usage across various keyboard instruments, and the principles of proper pedal application. This research will delve into the mechanics of different types of pedals, such as the sustain pedal, soft pedal, and sostenuto pedal, and their roles in achieving various effects. This study explores the logical and scientific connections between piano compositions and pedal techniques by analyzing piano works from different periods, with a particular emphasis on the Baroque era.

Keywords

Piano pedal, Classical period of piano works, Baroque period of keyboard works, Bach, Beethoven

Cite This Paper

Long Lin. The Study of Piano Pedal Use in “Secondary Creation” in Baroque and Classical Period. Frontiers in Art Research (2024) Vol. 6, Issue 8: 80-85. https://doi.org/10.25236/FAR.2024.060814.

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