Frontiers in Art Research, 2022, 4(15); doi: 10.25236/FAR.2022.041515.
Gan Ziwen
Nanchang Hangkong University, Nanchang, China
Successful documentary narration not only changes the world as seen by the audience, but also stimulates a further 'conceptual resonance' between the documentary voice and the audience's inner voice. Based on the two-way construction of the documentary narration from the coding dimension to the audience's inner construction dimension, this paper looks at the documentary narrator's perspective, skills and sound fusion, and analyses the narrator's ability to interpret the sound in the decoding dimension through the construction of an interconnected and interactive world of meanings.
Documentary narration; Encoding and decoding; Audience dynamics
Gan Ziwen. Encoding and Decoding: Documentary Narration and Audience Constructs in Two Directions Revisited. Frontiers in Art Research (2022) Vol. 4, Issue 15: 77-81. https://doi.org/10.25236/FAR.2022.041515.
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