Frontiers in Art Research, 2023, 5(2); doi: 10.25236/FAR.2023.050213.
Yuxuan Zhang1, Xinyi Luo2 , Qi Zhou3
1College of Art, South China Agricultural University, Guangzhou, China
2College of Humanities and Law, South China Agricultural University, Guangzhou, China
3Agricultural College, South China Agricultural University, Guangzhou, China
Oral literature from the Oroqen people, as well as paper-cutting and pattern art, are two distinct spiritual and cultural representations of the Oroqen people. These representations appear in the Oroqen literature with various spiritual and cultural characteristics and construct the Oroqen people's image from various angles. Multi-ethnic cultural aesthetics are essential in the era of digital media to preserve the record and history of the Oroqen ethnic culture by using cutting-edge technologies, enhancing the richness of historical records, and highlighting the value of cultural distinctiveness and inheritance. In the era of modern global integration, it is important to emphasize cultural diversity in order to preserve the richness of Chinese culture and create a distinctive ethnic identity. Assigning ourselves a unique ethnic identity will help us to bridge the identity vacuum brought on by modernity.
Digital Media, Oroqen Ethnic Group, Cultural Heritage Turn, Communication Vision
Yuxuan Zhang, Xinyi Luo , Qi Zhou. The Context of Digital Media: The Turning and Communication Vision of Oroqen Ethnic Cultural Heritage. Frontiers in Art Research (2023) Vol. 5, Issue 2: 64-70. https://doi.org/10.25236/FAR.2023.050213.
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