As the epitome of Chinese classical aesthetics, Wang Chuanshan's "present quantity theory" brings aesthetic experience based on the whole of time and space to the field of poetics in the form of materialistic reflection theory. As far as Chinese traditional art is concerned, poetry and calligraphy have the aesthetic characteristics of literariness and integration of time and space; As far as the current calligraphists are concerned, due to the transformation of their living conditions, they have lost the natural time and space of their writing experience, and thus have been separated from the innate character of calligraphy. The article expects to make a new interpretation and inspiration for the aesthetic psychology of contemporary calligraphy in time and space with Partyaksa, so as to restore the independence and freedom of contemporary calligraphy art.

Tianyi Zhao. The Interpretation and Enlightenment of Wang Chuanshan's Partyaksa Theory on the Time and Space Expression of Contemporary Calligraphy. Frontiers in Art Research (2023) Vol. 5, Issue 3: 30-35. https://doi.org/10.25236/FAR.2023.050307.

[1] Wang Fuzhi. Chuanshan Complete Book [M]. Changsha: Yuelu Press1, 1998: 536.

[2] Xu Shen. Second Edition of Calligraphy Papers in Past Dynastie [M]. Shanghai: Shanghai Calligraphy and Painting Publishing House, 1993: 21.

[3] Wang Fuzhi. Chuanshan Complete Book [M]. Changsha: Yuelu Press, 1998: 450.

[4] Zha Lv. On the contemporary character of time and space and its calligraphy performance [J]. Chinese calligraphy, 2022(07): 162-164.

[5] Mao Wanbao, Huang Jun. Anthology of Ancient Chinese Calligraphy [M]. Anhui: Anhui Education Press, 2009: 175.

[6] Sun Guoting. Anthology of ancient calligraphy papers·book charts [M]. Shanghai: Shanghai Calligraphy and Painting Publishing House, 1979: 130.

[7] Hu Jihua. Qianzong Baihua's Cultural Soul and Aesthetic Symbol [M]. Beijing: Wenjin Publishing House, 2005: 232.

[8] Hegel. Aesthetics [M]. Beijing: Commercial Press, 2017: 358.

[9] Sun Guoting. Anthology of ancient calligraphy papers·book charts [M]. Shanghai: Shanghai Calligraphy and Painting Publishing House, 1979: 130.

[10] Wei Shuo. Anthology of ancient calligraphy papers·BI ZHEN TU [M]. Shanghai: Shanghai Calligraphy and Painting Publishing House, 1979: 22.

[11] Chen Zhiyang, Li Bin. Ancient Chinese Literary Theory [M]. Beijing: Peking University Press, 2017: 305.

[12] Zong Baihua. Complete Works of Zong Baihua [M]. Anhui: Anhui Education Press, 1994: 474-475.

[13] Wang Fuzhi. Chuanshan Complete Book [M]. Changsha: Yuelu Press, 1998: 752, 1019, 1736.

[14] Wang Fuzhi. Chuanshan Complete Book [M]. Changsha: Yuelu Press, 1998: 753.

[15] Wang Fuzhi. Chuanshan Complete Book [M]. Changsha: Yuelu Press, 1998: 1022.

[16] Liu Zhaobin. Timing Reduction - Unique Aesthetic Phenomenon of Calligraphy [J]. Journal of Yantai University (Philosophy and Social Sciences), 2010, 23 (03): 68-72.