Qingdao University, Qingdao Shandong 266000, China
With the continuous changes of the times, people's aesthetic is also constantly changing, but there are some arts and cultures that can always develop and continue under the promotion of the trend of the times. The main reason is that it takes geometric patterns as the basic arrangement basis, and finally forms a very special visual effect through the use of light and color. Based on this, this paper will focus on the analysis of the characteristics of the art style, and then study its important impact on modern fabric and clothing design, to ensure that it can be more perfect applied to the design process of modern clothing, so that the final pavement works can be more aesthetic.
oppu art and culture; Modern fabric; Fashion design
Wenjing Wang. The Use of Art and Culture in Modern Fabric and Clothing Design. The Frontiers of Society, Science and Technology (2019) Vol. 1 Issue 11: 42-46. https://doi.org/10.25236/FSST.2019.011108.
 Wang Yi (2014). Research on the application of paper cutting art of Jiangzhe school in fashion design. Zhejiang: Zhejiang University of technology.
 Bu Yi (2008). Research on the principle of visual design in composition design. Changsha: Hunan Normal University.
 Li Ju (2019). The influence of oppu art and culture on modern fabric and clothing design. Science and technology information, vol.17, no.6, pp.198-200.
 Qi Weihuan (2013), Dong Wei. Application of artistic aesthetics and design elements of polo shirt. Silk, vol.50, no.6, pp.50-55.
 Zhu Haishan (2011). On the form of oppu art in poster design. Decoration. vol.213, no.1, pp.133-134.
 Zhang ouyan, Xing Xujia (2011). The influence of oppu art and culture on modern fabric and clothing design. Silk, vol.48, no.9, pp.39-42.
 Qiu Qianyi, Zhou Jun (2018). Design research and practice of jacquard fabric with oppu art style based on structural change. Silk, vol.55, no.3, pp.55-59.
 Chen nengjuan, Zhang Yi, Yi Qinqin (2017). Fabric structure design of stripe pattern in the style of Ou Pu. Silk, vol.10, no.1, pp.43-50.