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The Frontiers of Society, Science and Technology, 2020, 2(3); doi: 10.25236/FSST.2020.020314.

An Exploration of Shi Tao's Aesthetic Theory

Author(s)

Fang Yiyun

Corresponding Author:
Fang Yiyun
Affiliation(s)

Zhejiang Academy of Fine Arts, Zhejiang, China

Abstract

Shi Tao's aesthetics attaches great importance to the idea of ”authenticity”, and the openness of consciousness. He speaks of “one method” and “one method”. He attaches importance to eliminating the adhesiveness of hearing, self-evidence and self-awareness everywhere. “The Heart is Like Spring Snow” depicts the painting realm in the realm of Langjie. Shi Tao's thought fully reflects the ideological essence of Confucianism, Buddhism, and Taoism, Hua Yan's harmonious thoughts, Prajna view, and Zen's “reality” The thought of the “Fuji Method” realm has a great influence on its discussion of “Fa”. From the perspective of ideology, this article explores the origin of Shi Tao's method of truth.

Keywords

Shi tao's aesthetic; Esthetics; Thought

Cite This Paper

Ni Hao. An Exploration of Shi Tao's Aesthetic Theory. The Frontiers of Society, Science and Technology (2020) Vol. 2 Issue 3: 59-61. https://doi.org/10.25236/FSST.2020.020314.

References

[1] Su Huimin (2011). Hi Tao's Aesthetics of Painting Quotations, China Social Science Press.
[2] Wu Yansheng (2007). The Origin of Zen Thought, Zhonghua Book Company.