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The Frontiers of Society, Science and Technology, 2020, 2(4); doi: 10.25236/FSST.2020.020409.

The Formal Evolution of Chinese Martial Arts Action Movies and the Spread of Core Values

Author(s)

Cui Hongtu1, Zhao Cai 2

Corresponding Author:
Cui Hongtu
Affiliation(s)

School of Humanities Tiangonguniversity, Tianjin 300000, China

Abstract

The transformation and development of Chinese martial arts film era has a new pattern in its creative form and expression. Under the influence of the globalization, some of the distinctive cultural elements in martial arts films continue to be passed down in the local creative vision. The other part is “foreignized” by other overseas regions and used by others to achieve cross-cultural communication. Therefore, as a kind of distinctive type of local films, creative transformation and innovative development have been realized, and its evolution has been become international in the new era. Through synchronic and diachronic analysis, the article reveals the changes in the form of Chinese martial arts action films and the inheritance and expansion of core values in the three aspects of nationalist turn, action spectacle and marching into the international arena.

Keywords

Martial arts action films; Nationalism; Value leadership; Internationalization

Cite This Paper

Cui Hongtu, Zhao Cai. The Formal Evolution of Chinese Martial Arts Action Movies and the Spread of Core Values. The Frontiers of Society, Science and Technology (2020) Vol. 2 Issue 4: 34-38. https://doi.org/10.25236/FSST.2020.020409.

References

[1] Hao Jianzhu (2011). Type Film Tutorial, Shanghai: Fudan University Press, pp.8-9.
[2] Yu Zhongmin (2013). A Review of Chinese Martial Arts Films from the Perspective of History: From “Real Kung Fu” to Humanistic Care. Film Literature, no.18, pp. 4-8.
[3] Chen Mo (2006). Chinese Martial Arts Film: Overview and Tips. Contemporary Film, no.3, pp.102-106.
[4] From the lines in Chen Kexin's directorial work “Wu Xia”.
[5] Jia Leilei (1993). Chinese Martial Arts Film: Source Flow Theory. Film Art, no.3, pp. 25-30.
[6] Jia Leilei (2001). The internationalization process of Chinese martial arts action movies. China Academy of Film and Television Society. Globalization and the fate of Chinese film and television - Proceedings of the first China Film and Television High-level Forum. China's colleges and universities Film and Television Society: China Academy of Film and Television, pp.13-14.