Chinese peasant paintings are the common product of folklore and painting in a special political environment. The study of peasant paintings has artistic, social and political significance, so it is extremely important. Existing farmer painting research has been restricted and misled in many ways, causing related research to lag behind and unable to establish the true historical and cultural value of farmer painting. Based on the analysis and analysis of the existing farmer painting research results, this article attempts to actively and effectively think and suggest this issue.

Weiping He. The Status and Thinking of Chinese Farmer Painting Research. International Journal of Frontiers in Sociology (2020), Vol. 2, Issue 4: 52-58. https://doi.org/10.25236/IJFS.2020.020407.

[1]. "Research on Modern Chinese Folk Painting (Peasant Painting)" by Ning Yu and Ronghua (Shaanxi People's Fine Arts Publishing House, June 1990)
[2]. The Preparatory Committee of the Nanjing Branch of the Chinese Artists Association "A Satellite on the Art Front-Collection of Peasant Paintings in Pi County, Jiangsu", Shanghai People's Fine Arts Publishing House, November 1958.
[3]. "Huxian Farmer Painting Essays" People's Fine Arts Publishing House, February 1975 edition
[4]. Duan Jingli "Research on Huxian Farmers' Paintings" Xi'an Publishing House, March 2002
[5]. He Weiping, "Huxian Farmers' Paintings" Xi'an Jiaotong University Press, October 2015
[6]. "Fine Arts" magazine 1958 annual issue; "Yan'an Pictorial" 1974 No. 7 and 8