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The Frontiers of Society, Science and Technology, 2020, 2(6); doi: 10.25236/FSST.2020.020610.

A Transition to Modern Story: Dramatization and Authorial Intrusion in Chekov's “Enemies”

Author(s)

Zhitong Chen

Corresponding Author:
Zhitong Chen
Affiliation(s)

College of Foreign Languages and Cultures Sichuan University, Chengdu 610065, China
Email:[email protected]

Abstract

Although realism is the main feature of Anton Chekhov's works, his story also reveals his modern consciousness. The author analyzes Chekhov's short story “Enemies” from the perspective of “dramatization of fiction”, finding out the dramatic characteristics of the scene and dialogue in this story. Nevertheless, authorial intrusion still appears in the story in the form of comments, reflecting the characteristics of traditional novels. The author considers that Chekhov's short stories can be regarded as a transition from traditional stories to modern stories, a brave try for him to transcend his times.

Keywords

Chekov, “enemies”, Dramatization, Authorial intrusion

Cite This Paper

Zhitong Chen. A Transition to Modern Story: Dramatization and Authorial Intrusion in Chekov's “Enemies”. The Frontiers of Society, Science and Technology (2020) Vol. 2 Issue 6: 40-44. https://doi.org/10.25236/FSST.2020.020610.

References

[1] May, Charles E (1999). Chekhov and the Modem Short Story” in Modern Critical Views Anton Chekhov, Bloom, Harold, ed. Philadelphia: Chelsea House.
[2] Walter Besant (2007). The Art of Fiction. Boston: Cupples, Upham, pp. 13-14.
[3] Clarke, Lindsay (2013). 'Going the Last Inch: Some Thoughts on showing and telling' in Creative Writing: A Workbook with Readings, Anderson Linda, ed. Abingdon-on-Thames: Routledge, pp. 487.
[4] Henry James (1972). “Ivan Turgenieff” (1874), rpt. in James E. Miller, ed., Theory of Fiction: Henry James. Lincoln: University of Nebraska Press, pp. 174-75.