Welcome to Francis Academic Press

International Journal of New Developments in Engineering and Society, 2019, 3(2); doi: 10.25236/IJNDES.19211.

On the Use of Eastern Elements and Emotional Expressions in Ang Lee's Films

Author(s)

Li JiaXin, Li TianZi, Han RuoXI

Corresponding Author:
Li JiaXin
Affiliation(s)

China

Abstract

Ang Lee's film has a strong acceptance in the world, combining China with the West. This is probably the most profound impression that the world mentioned. Ang Lee was born in China and went abroad to study. There is no doubt that he is deeply influenced by the open ideology and culture abroad. So he can make Brokeback Mountain, which is shocking in the world, and also make a stunning Happy Banquet. So where is the Chinese element in Ang Lee's films? In this article, the author focuses on the analysis of director Ang Lee's film in the use of East elements, as well as his integration of Chinese and Western elements to produce the beauty of neutralization. And it systematically analyses Ang Lee's emotional expression in the film and why he can stand in the world film.

Keywords

Ang Lee's Eastern Elements and Chinese-Western Emotional Philosophy

Cite This Paper

Li JiaXin, Li TianZi, Han RuoXI. On the Use of Eastern Elements and Emotional Expressions in Ang Lee's Films. International Journal of New Developments in Engineering and Society (2019) Vol.3, Issue 2: 78-85. https://doi.org/10.25236/IJNDES.19211.

References

[1] Zhang Liangbei(2008). A Ten-Year Dream of Films, Beijing: People's Literature Publishing House.
[2] Ye Jigu(2008). Contemporary Film, Embodying the Traditional Artistic Conception in National Culture: An Analysis of the Rationality and Sensibility of Ang Lee's Films, no.08, pp. 95-98.
[3] Cui Yuefang(2014). On the Aesthetic Function of Music in Ang Lee's Films. Film Literature. No.2, pp.12-19.
[4] Yang Lin(2017).  On the Use of National Musical Instruments in the Film Score of Crouching Tiger, Hidden Dragon. The Voice of the Yellow River, No. 12, P. 98.
[5] Marcel Mardan(2006). Movie Language, Translated by He Zhengan, China Film Press.
[6] Lu Yanbin(2008). Game of Humanity: Freedom and Repression: Thematic Research in Crouching Tiger, Hidden Dragon, Brokeback Mountain and Lust Caution. Film Review, no.16, pp. 129-133.
[7] Ke Weini(2012). Understanding Ang Lee: An Analysis of Ang Lee from a Western Perspective. Jinan: Shandong People's Publishing House.
[8] Zhang Guohong(2013). The Aesthetic Characteristics of Ang Lee's Films from Crouching Tiger, Hidden Dragon. Film Literature, no.24, pp. 596-602.
[9] Tian Hao, Yan Ling(2014). Motion Picture Analysis Lessons: Dismantling Ang Lee's Films (Revised Edition). Guangzhou: Jinan University Press.
[10] Mowa, Fu Huimin(2008). Reading Ang Lee. Beijing: Peking University Press.
[11] Dou Xinping(2010). Ang Lee's World. Beijing: People's Daily Press.