With the advancement of information technology, cultural globalization has become an unstoppable trend. Against this background, Chinese and Western paintings have also produced a lot of interaction and resonance in the collision and friction. Therefore, a group of painters dedicated to the development of the integration of Chinese and Western paintings appeared on the road of oil painting in China. The idea of Chinese and Western integration is particularly prominent in the paintings of these painters, especially landscape oil paintings. Therefore, Chinese landscape oil painting has developed in China for the integration of Chinese and Western paintings. The features are very clear. This article aims to study the collision and fusion of Eastern and Western paintings in the context of globalization. First of all, it starts with Chinese landscape oil painting, and analyzes the basis of the development process of the collision and fusion of Eastern and Western paintings, the characteristics of Eastern and Western landscape oil paintings, and the fusion of Eastern and Western paintings. Above, in order to further understand the factors that cause Eastern and Western painting, this article conducted a questionnaire survey among students majoring in fine arts in two colleges and universities in this province. The results of the survey showed that the two colleges and universities believed that the factors that caused the difference between Eastern and Western paintings were 19.33% and 13.27% of the students; the landscape painting styles were 12.56% and 14.88%; national character is 25.74% and 28.49%; religion and philosophy are 16.85% and 15.26%; aesthetic concept is 25.52% and 28.1%.

Wenhui Liu. Analysis on the Collision and Fusion of Eastern and Western Paintings in the Context of Globalization. International Journal of Frontiers in Sociology (2021), Vol. 3, Issue 9: 24-29. https://doi.org/10.25236/IJFS.2021.030905.

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