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International Journal of Frontiers in Sociology, 2021, 3(21); doi: 10.25236/IJFS.2021.032101.

The widening of the field of view and the use of media in pictorial vision

Author(s)

Jinjing Yang1, Jingru Liu2

Corresponding Author:
Jinjing Yang
Affiliation(s)

1College of Art, Zhejiang Normal University, Jinhua, 321004, China

2College of Art, Zhejiang Normal University, Jinhua, 321004, China

Abstract

Oil painting in China's local development breaks the shackles of traditional formal language and further highlights the innovation and turn of oil painting's iconography. This paper will focus on the rebellion of pictorial vision against tradition, the widening of the boundaries of vision and how pictorial personality uses the medium.

Keywords

schematic vision; widening of visual field; use of media

Cite This Paper

Jinjing Yang, Jingru Liu. The widening of the field of view and the use of media in pictorial vision. International Journal of Frontiers in Sociology (2021), Vol. 3, Issue 21: 1-3. https://doi.org/10.25236/IJFS.2021.032101.

References

[1] Russell. The meaning of modern art [M] . Translated by Chang Ningsheng. Beijing: People's University of China Press, 2003.

[2] Chen Sheng. The Chinese Evolution of Integrated Material Painting [J]. Beijing: China Youth Press, 2012.

[3] Zhu Qi. New Art History and Visual Narrative [M]. Changsha: Hunan Art Publishing House, 2003.