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International Journal of Frontiers in Sociology, 2021, 3(21); doi: 10.25236/IJFS.2021.032102.

Contrast the difference of thinking between Chinese and Western painting

Author(s)

Lan Chen1, Mengqi Jing

Corresponding Author:
Lan Chen
Affiliation(s)

1College of Art, Zhejiang Normal University, Jinhua, 321004, China

2College of Art, Zhejiang Normal University, Jinhua, 321004, China

Abstract

This article is based on the theoretical basis of Chinese and Western culture, with Chinese and Western classical paintings as the object of comparison, with problem awareness as the research perspective, and through five aspects of aesthetic characteristics, spatial awareness, painting themes, color concepts and development roads of Chinese and Western classical paintings. Aesthetics comparison and research in this respect reveal the different cultural connotations and aesthetic qualities of Chinese and Western classical paintings

Keywords

culture, Chinese and Western comparison, painting aesthetics

Cite This Paper

Lan Chen, Mengqi Jing. Contrast the difference of thinking between Chinese and Western painting. International Journal of Frontiers in Sociology (2021), Vol. 3, Issue 21: 4-7. https://doi.org/10.25236/IJFS.2021.032102.

References

[1] Xu Fuguan: "The Spirit of Chinese Art", Shanghai East China Normal University Press, 2001 edition.

[2] Yu Jianhua, "Classification of Chinese Ancient Painting Theory", Beijing: People's Fine Arts Publishing House, 1998 edition. 

[3] Susan Woodford and others: "History of Western Art", translated by Hirano and Zhao Guixian, Chengdu: Sichuan Fine Arts Publishing House, 1989 edition.

[4] Steven Conner, "Postmodernist Culture—A Guide to Contemporary Theories", translated by Yan Zhongzhi, Beijing: The Commercial Press, 2007 edition