Welcome to Francis Academic Press

Academic Journal of Humanities & Social Sciences, 2023, 6(7); doi: 10.25236/AJHSS.2023.060705.

Re-thinking Gender and Fashion Exhibitions in Contemporary Museums

Author(s)

Nian Liu

Corresponding Author:
Nian Liu
Affiliation(s)

Beijing Language and Culture University, Beijing, 100086, China

Abstract

This article explores gender in contemporary museum exhibitions, with a focus on fashion exhibitions. It reveals how the concepts of gender and fashion are embodied through an analysis of museum fashion exhibitions, aiming to discuss issues pertinent to fashion and gender in contemporary museum exhibitions and explore the implications for museum development. To achieve the study purpose, it begins with an introduction to the relationship between fashion and gender and further discusses its representation in museums. The role that museums play in interpreting fashion, feminism and gender is therefore exemplified by exploring the functions and meanings of museums. Furthermore, using the V&A Museum as a case study, the paper examines how fashion and gender are interpreted through museum exhibitions and applied to exhibiting practices. Finally, by analyzing the impact of fashion and gender on museums, insights are gained into the role of museums in performing educational functions and developing collaborations on cross-border and innovative performance forms, which have implications for the development of museums.

Keywords

fashion; gender; museums; feminism; V&A

Cite This Paper

Nian Liu. Re-thinking Gender and Fashion Exhibitions in Contemporary Museums. Academic Journal of Humanities & Social Sciences (2023) Vol. 6, Issue 7: 28-32. https://doi.org/10.25236/AJHSS.2023.060705.

References

[1] Newman A., & McLean, F. (2006). The impact of museums upon identity. International Journal of Heritage Studies, 12(1), 49–68.

[2] Annamari Vänskä., & Hazel Clark. Bloomsbury (2017). Fashion Curating: Critical Practice in the Museum and Beyond. London: Bloomsbury Publishing.

[3] C Malt. (2006). Women, Museums and the Public Sphere. Middle East Women’s Studies, 2 (2), 115–36.

[4] S Rharib. (2006). Taking Stock of Moroccan Museums. Museum International, 58(1), 97–103. 

[5] Petry M. (2007). Hidden Histories: Experiences of Curating. International Journal of Art & Design Education, 26(1): 119–28. 

[6] Matassa Freda. (2011). Museum collections management: a handbook. London: Facet.

[7] Tulloch C. (2005).Black Style. London: V&A Publications. Victoria and Albert Museum (2023) V&A Collections Development Policy, available online: www. vam.ac.uk/content/articles/v/v- and-a- collections-policies

[8] Anderson Fiona. (2000). Museums as Fashion Media. In Stella Bruzzi and Pamela Church Gibson (eds). Fashion Cultures: Theories, Explorations and Analysis (pp. 371–89). London: Routledge. 

[9] Breward Christopher. (2008). Between the Museum and the Academy: Fashion Research and its Constituencies. In Fashion Theory (pp. 83–96). Oxford: Berg. 

[10] Jones Amelia. (2016). Feminist Subjects vs Feminist Effects: The Curating of Feminist Art (or is it the Feminist Curating of Art). in On Curating (pp. 5–20). Zürich: Zürich Institute for Cultural Studies in the Arts.

[11] Koda Harold., & Glasscock, Jessica. (2014). The Costume Institute at the Metropolitan Museum of Art: An Evolving History. In Fashion and Museums. London: Bloomsbury. 

[12] Latour Bruno. (2004). Why has Critique run out of Steam? From Matters of Fact to Matters of Concern. In Critical Inquiry (pp. 225–48). Chicago: University of Chicago Press.