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Frontiers in Art Research, 2023, 5(6); doi: 10.25236/FAR.2023.050614.

Study on the Innovative Victorian Style Decanters

Author(s)

Qianyao Wang

Corresponding Author:
Qianyao Wang
Affiliation(s)

Royal College of Art, Kensington Gore, South Kensington, London SW7 2EU, UK

Abstract

This essay focuses on the Victorian Orientalist perspective. And cross-culture is shown by Victorian decanters. Victoria Orientalism shows the influence of Orientalist tropes and ideas. Firstly, this article expands the interaction between Chinese Export Ceramics in traditional function and the cultural connotation of Chinese ceramics. And then it overviews the designer William Burges and his ceramics (Chinoiserie) as a representation of his collection aesthetic. An alternative way of looking at the objects that values usual hybrid forms and that focuses on fused cultures is proposed.

Keywords

Orientalism, Victoria, Decanter, Cross-cultural

Cite This Paper

Qianyao Wang. Study on the Innovative Victorian Style Decanters. Frontiers in Art Research (2023) Vol. 5, Issue 6: 73-79. https://doi.org/10.25236/FAR.2023.050614.

References

[1] Jeremy C. Victorian and Edwardian Decor. New York: Abbeville Press, 1987.

[2] Crook J.M. William Burges and the High Victorian Dream. London: Frances Lincoln, 2013.

[3] Allison Kroll. What Does Gothic Revival Mean? National Trust, 2019. Available from: https:// muckrack.com/allison-kroll/articles. [Accessed 5 January 2019].

[4] Edward S. Orientalism. Oxford: Oxford University Press, 1997.