Frontiers in Art Research, 2023, 5(9); doi: 10.25236/FAR.2023.050901.
Jinhui Wang
Institute of Education, University College London, London, United Kingdom
This essay explores the concept of semiotic narrative in digital media art, focusing on three specific examples: "Xu Bing: Book from the Ground," "Rusty Lake," and "Spirited Away." It examines how semiotics, the study of signs and their meanings, can be utilized to convey narratives in various forms of media. The essay delves into the narrative techniques employed in each artwork, highlighting the use of signs, images, and abstract representations to enhance storytelling. The essay emphasizes the importance of semiotic coherence and the need for a story logic that aligns with the expressive meanings of the signs used. It concludes by highlighting the significance of semiotic narrative in media communication and artistic expression, providing insights for future artistic creations.
Semiotics, Narrative, Digital media art, Signifier, Signified
Jinhui Wang. Semiotic Narrative Research in Digital Media Art. Frontiers in Art Research (2023) Vol. 5, Issue 9: 1-7. https://doi.org/10.25236/FAR.2023.050901.
[1] Eco U. (1979). A theory of semiotics (Vol. 217). Indiana University Press.
[2] Chandler D. (1994). Semiotis for beginners. http://www.aber.ac.uk/media/Documents/S4B/ [Date accessed]
[3] Barthes R., Gottdiener M., Boklund-Lagopoulou K., & Lagopoulos A. P. (1972). Semiotics. London: Paladin.
[4] Bing X. (2007). Regarding Book from the Ground. Yishu: Journal of Contemporary Chinese Art, 6(2), 71.
[5] Short T. L. (2007). Peirce's theory of signs. Cambridge University Press.
[6] Mitchell W. T., & Mitchell W. J. T. (1994). Picture theory: Essays on verbal and visual representation. University of Chicago Press.
[7] Ren A. (2022). Multimodal Construction of Attitude and Meaning in the Movie "Spirited Away" (Master's Thesis, Heilongjiang University).