Welcome to Francis Academic Press

Frontiers in Art Research, 2023, 5(9); doi: 10.25236/FAR.2023.050908.

Research on Chinese Biblical-themed Paintings—A Case Study of Zhang Daqian and Daozi

Author(s)

Yun Zhili

Corresponding Author:
Yun Zhili
Affiliation(s)

School of Humanities and Arts, Macao University of Science and Technology, Macao, China

Abstract

This research focuses on the biblical-themed paintings of Zhang Daqian and Dao Zi, investigating how modern Chinese painting finds innovation and breakthroughs amidst the fusion of Confucian, Buddhist, Taoist traditional culture and Western religious thought. Zhang Daqian, employing a flexible blend of Eastern and Western painting techniques, successfully reinterprets the allegorical and universal aspects of Biblical stories through the language of Chinese painting. Dao Zi, on the other hand, incorporates Christian spirituality into contemporary ink painting through his unique concept of "Holy Ink," thus unveiling and reviving the inherent spirituality of ink art. The creative works of both artists not only demonstrate the potential for innovation in contemporary Chinese art within a global context, but also underscore the vital role of the fusion of Eastern and Western cultures in driving the development of cultural diversity.

Keywords

Bible painting; Painting; Artistic Fusion

Cite This Paper

Yun Zhili. Research on Chinese Biblical-themed Paintings—A Case Study of Zhang Daqian and Daozi. Frontiers in Art Research (2023) Vol. 5, Issue 9: 44-48. https://doi.org/10.25236/FAR.2023.050908.

References

[1] Chen Tianbai. (2020). Ink Rhyme in Early Chinese Bible Art. Popular Literature and Art, Issue 16, pp. 99-101.

[2] Luo Zongliang. (2000). An Analysis of Zhang Daqian's Aesthetic Thoughts. Tianfu New Theory, Issue 06.

[3] Wang Weijun. (2019). The Brush of the East Draws the Song of Songs: Zhang Daqian's Biblical Paintings. Chinese Religion, Issue 06, pp. 72-73.

[4] Félix S. J. (1995). Biographies of Jesuit Brothers in China during the Ming and Qing Dynasties. Zhonghua Book Company.

[5] Hao Qingsong. (2016). Vision and Situation: The Spiritual Call of Daozi's "Sacred Ink". Contemporary Artists, Issue 05, pp. 56-61.

[6] Wang Duanting. (2013). The Responsibility and Commitment of Conscience: The Spiritual Dimension of Daozi's Sacred Ink Paintings. Oriental Art, Issue 01.

[7] Gang Hengyi (author), Sun Maoxue (translator). (1968). Chinese Catholic Art. Taipei: Light and Enlightenment Publishing House.