Welcome to Francis Academic Press

Frontiers in Art Research, 2019, 1(6); doi: 10.25236/FAR.2019.010608.

The Spirit of Salt Industry Sustainedly--on the Salt Culture in the Opera of “Salt God”

Author(s)

Shijun Zhang

Corresponding Author:
Shijun Zhang
Affiliation(s)

Sichuan University of Science & Engineering, Sichuan 643000, China

Abstract

“Salt God” is a large-scale original national opera in Zigong. The drama sings hard and hard work, and the theme of hard work and wealth is in line with the current era of entrepreneurial innovation and innovation. It is a positive and inspirational trend. opera. This article will analyze the music singing elements and salt culture in the opera of “Salt God”. Based on the brief explanation of the opera of “Salt God”, this paper analyzes the characteristics of the musical singing elements in the opera and explores the opera. The national spirit embodied in salt culture.

Keywords

salt work spirit; “salt god”; Salt culture

Cite This Paper

Shijun Zhang. The Spirit of Salt Industry Sustainedly--on the Salt Culture in the Opera of “Salt God”. Frontiers in Art Research (2019) Vol. 1 Issue 6: 45-49. https://doi.org/10.25236/FAR.2019.010608.

References

[1] Falck O, Fritsch M, Heblich S (2017). The Phantom of the Opera: Cultural Amenities, Human Capital, and Regional Economic Growth. Social Science Electronic Publishing, vol. 18, no. 6, pp. 755-766.
[2] Kang W U (2019). The spatial diffusion of opera culture and the evolution of cultural region: Taking Huai Opera, the intangible cultural heritage as a case study. Geographical Research, vol. 28, no.5, pp. 1427-1438.
[3] Simpson P. A (2016).Looking back at Orpheus: Opera and cultural integration. International Journal of Music Education, vol. 31, no. 4, pp. 442-453.
[4] Wojciech Lipoński (2018). Rattle Running, Dry Wrestling, and Boxing in Opera, or Regional Sports and Games in the Historical and Cultural Tradition of Eastern Europe. International Journal of the History of Sport, vol. 28, no. 1, pp. 1-16.
[5] Smith A, Von K S I (2017). Oslo\s new Opera House: Cultural flagship, regeneration tool or destination icon?. European Urban and Regional Studies, vol. 18, no. 11, pp. 93-110.
[6] Gokcek G (2017). William Faircy Condee: 2005, Coal and Culture: Opera Houses in Appalachia. Journal of Cultural Economics, vol. 31, no. 1, pp.83-84.