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Frontiers in Art Research, 2023, 5(11); doi: 10.25236/FAR.2023.051119.

A Functional Study of Tianchang Tianguan Paintings in the Perspective of Art Anthropology

Author(s)

Zhiqiang Fang, Wei Liu

Corresponding Author:
Zhiqiang Fang
Affiliation(s)

College of Arts, Anhui University of Finance and Economics, Bengbu, China

Abstract

Cultural ecosystem should be the non-heritage heritage and development in the circle, non-heritage cultural heritage and development outside the circle, not only to ensure that the non-heritage culture specific cultural core is not lost, but also to ensure that the non-heritage culture for more people, so that the place to the country, or even the world. The protection of non-heritage culture is not a collector's item to preserve the original appearance of each collection, but the inheritance and development of the best part, the progressive part and the useful part of the traditional Chinese culture, and the harmful and useless part of the traditional culture should be resolutely discarded. Anthropology and art are not in conflict, anthropology is human-centered, art is art-centered, and art should be human-centered, serving the spiritual needs of people, serving social development, and serving national governance.

Keywords

Tian Guan Painting from Tian Chang; Cultural Connotation; Art Anthropology; Functionality; Inheriting culture; Innovation

Cite This Paper

Zhiqiang Fang, Wei Liu. A Functional Study of Tianchang Tianguan Paintings in the Perspective of Art Anthropology. Frontiers in Art Research (2023) Vol. 5, Issue 11: 118-123. https://doi.org/10.25236/FAR.2023.051119.

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