Welcome to Francis Academic Press

Frontiers in Art Research, 2023, 5(14); doi: 10.25236/FAR.2023.051409.

Research on Chinese film industry under the background of globalization—Taking Zhang Yimou 's film as an example

Author(s)

Mingyang Li

Corresponding Author:
Mingyang Li
Affiliation(s)

Xi’an International University, Xi'an, 710077, Shaanxi, China

Abstract

As a leading figure of the fifth generation of Chinese directors, Zhang Yimou and his films are well known at home and abroad. This paper selects Zhang Yimou and his works as the subject of analysis to explore the factors contributing to the popularity of his films from internal and external perspectives. Furthermore, it discusses the significance of Zhang Yimou's films to the development of Chinese films and the exchange and cooperation of world films which includes: enhancing global understanding of Chinese culture, integrating diverse cultural appeals, and promoting commercial film development. Finally, through the analysis of Zhang Yimou's films, this paper addresses three major challenges currently faced by the Chinese film industry.

Keywords

Director Zhang Yimou; Chinese Film Industry; Film Studies; Globalization

Cite This Paper

Mingyang Li. Research on Chinese film industry under the background of globalization—Taking Zhang Yimou 's film as an example. Frontiers in Art Research (2023) Vol. 5, Issue 14: 50-55. https://doi.org/10.25236/FAR.2023.051409.

References

[1] Zhang, Y. 2004. Chinese national cinema[M]. Routledge.

[2] Gong, P. 2007. On the localization strategy of Zhang Yimou's films in the context of globalization. [D]. Guangxi: Guangxi normal university.

[3] Zhu, P. 2013. Virtuality, Nationalism, and Globalization in Zhang's Hero[J]. CLCWeb: Comparative Literature and Culture. 15(2), pp.17-25.

[4] Han, W. and Chen, X. 2003. The film history of new China[M]. Zhejiang university press.

[5] Li, E. 2001. Zhang yimou talks about new century movies[J]. New film. (4), pp.50-56.

[6] Berry, C., & Farquhar, M. A. 2006. China on screen: Cinema and nation[M]. Columbia University Press.

[7] Zhang, Y. 2003. Hero: a metaphor for the new century[J]. Contemporary film. (2), pp.11-15.

[8] Li, H. C. 1989. Color, Character, and Culture: On" Yellow Earth, Black Cannon Incident", and" Red Sorghum"[J]. Modern Chinese Literature. pp.91-119.

[9] Kong, H. 2018. Symbolism through Zhang Yimou’s subversive lens in his early films[J]. Asian Cinema. 8(2), pp.98-115.

[10] Li, D.L. 2007. Capturing China in globalization: the dialectic of autonomy and dependency in Zhang Yimou's cinema[J]. Texas Studies in Literature and Language. 49(3), pp.293-317.

[11] Rosenstone, R. A. 2014. History on film/film on history[M]. Routledge.

[12] Bondanella, P. E. 2001. Italian cinema: from neorealism to the present[M]. Bloomsbury Publishing.

[13] Katherine Kit Ling Chu, M.A. 2005. Sixth Generation films and national allegory[D]. The University of Southern California.

[14] Marie, M. 2002. French New Wave[M]. Blackwell Publishers.

[15] Lu, L. 2008. An analysis of the film text of zhang yimou in the 1980s[J]. Movie literature. (4), pp.37-54.

[16] Garner, B. J. 2015. The new Cultural Revolution: Chinese cultural policy reform and the UNESCO Convention on cultural diversity[J]. The Political Economy of Communication. 3(1), pp.57-82.

[17] Su, W. 2014. Cultural policy and film industry as negotiation of power: The chinese state's role and strategies in its engagement with global hollywood 1994–2012[J]. Pacific Affairs. 87(1), pp.93-114.

[18] Kong, S. 2007. Genre film, media corporations, and the commercialisation of the Chinese film industry: The case of “New Year Comedies”[J]. Asian Studies Review. 31(3), pp.227-242.

[19] Ma, N. 2003. Signs of angst and hope: history and melodrama in Chinese fifth-generation cinema[J]. Screen. 44(2), pp.183-199.

[20] Su, W. 2015. From culture for the people to culture for profit: the PRC’s journey toward a cultural industries approach[J]. International journal of cultural policy. 21(5), pp.513-528.

[21] Klein, C. 2004. Martial arts and the globalization of US and Asian film industries[J]. Comparative American Studies An International Journal. 2(3), pp.360-384.

[22] Kim, S. 2006. From Cine-mania to Blockbusters and Trans-cinema: Reflections on Recent South Korean Cinema[J]. Theorising National Cinema. London: BFI, pp.186-201.

[23] Davis, D. W. 2010. Market and marketization in the China film business[J]. Cinema Journal. 49(3), pp.121-125.