The spatial expression form of Chinese painting adopts blank space processing and scattered perspective to manage the relationship between images, and generates an image space through perceptual association. The images emphasize charm and pursue artistic conception, which has high artistic research value and occupies a pivotal position in the field of world painting. Looking back at the development process of Chinese painting, under the influence of social factors and cultural backgrounds in different dynasties and historical periods, the spatial expression forms of Chinese painting have shown different characteristics, and are still constantly exploring and advancing on the path of inheritance and development. Aesthetician Wolflin once said, "Viewing is not a static mirror, but a vibrant understanding that has its own inherent history and has gone through many stages."Based on the above analysis, this article will sort out and summarize the historical context of Chinese painting, starting from the spatial expression forms of Chinese painting art, explore the aesthetic ideological foundation and visual expression techniques, as well as the national cultural value contained behind its form composition.

Xu Jieqiong. Research on the Spatial Art Spirit of Chinese Painting. Frontiers in Art Research (2023) Vol. 5, Issue 18: 58-62. https://doi.org/10.25236/FAR.2023.051810.

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