Aesthetic consciousness plays an unignorable role in the aesthetic relation constituted by auditory subject and acoustic object. Aesthetic consciousness as important component of psychology of hearing is contained in the sound construction from beginning to end. By analyzing the existence of aesthetic consciousness and its active role, the acquisition of aesthetic cognition and the cultivation of aesthetic cognition, this article reveals that the aesthetic construction of music auditory cognition is the infinite power to promote the development and perfection of hearing.

Chao Song. Aesthetic Construction of Music Auditory Cognition. Frontiers in Art Research (2024), Vol. 6, Issue 1: 72-75. https://doi.org/10.25236/FAR.2024.060113.

[1] Xiu Hailin, Luo Xiaoping. General Theory of Music Aesthetics [M]. Shanghai: Shanghai Music Publishing House, 1999: 272 

[2] Li Zehou. Four Lectures on Aesthetics [M]. Beijing: SDX Joint Publishing Company. 1999: 106 

[3] Chen Xinhan. Theory of Aesthetic Cognition Mechanisms [M]. East China Normal University Press. 2002: 295