Frontiers in Art Research, 2020, 2(2); doi: 10.25236/FAR.2020.020204.
Tian Yi
Shenyang Jianzhu University, Liaoning 110168, China
Shaman culture, as an original ecological culture with the earliest origin and longest continuity, is centered on the religious rites of Shaman beliefs, which is a comprehensive carrier of primitive culture with certain mysterious and important historical and cultural value. While Shaman paper-cutting displays the folk arts of the inheritance of Shaman Culture, and it is also an essential part of Chinese intangible cultural heritage. Therefore, it should be properly protected and inherited. At the same time, some elements of the shaman paper-cut can be integrated with modern design so that it can be existed as an artistic image by itself or presented with the modern design. With the toursim product design and animation product design as exanple in this paper, the practice in inheritance of shaman paper-cut art in china will be demonstrated.
Shaman paper-cut; Inheritance; Contemporary design
Tian Yi. The Inheritance and Transformation of Shaman Paper-Cut Art in the Modern Design. Frontiers in Art Research (2020) Vol. 2 Issue 2: 12-16. https://doi.org/10.25236/FAR.2020.020204.
[1] Liming Bai (2010). Ewenki national traditional society and culture. Beijing: Science Pres.
[2] Yuguang Fu (2012). Shaman Theory. Liaoning: People's Publishing House.
[3] Yuguang Fu, Huiying Meng (1991). Manchu Shamanism Research. Beijing: Peking University Press.
[4] Feuerbach, Ludwig (2008). The essence of Christianity. N.Y.: Dover.
[5] Freud Sigmund (2016). Totem and taboo: resemblances between the psychic lives of savages and neurotics. Harmondsworth: Penguin.
[6] Ernst Grosse (1984). The beginnings of art.Beijing: The Commercial Press.
[7] E.H Gombrich (2015). The Sense of order: A study in the psychology of decorative art Guangxi. Fine Arts Publishing House.
[8] E.H Gombrich (2015). Gombrich on the renaissance. Guangxi: Fine Arts Publishing House.
[9] G. W. F. Hegel (1979). Philosophy of Fine Arts. Beijing: The Commercial Press.
[10] Zehou Li (2009). The History of Beauty. Beijing: Life·Reading· Xinzhi Joint Publishing Company.
[11] Yusheng Lin (1988). Chinese traditional creative transformation. Beijing: Life Reading Xinzhi Joint Publishing Company.
[12] Hongfu Li (2006). Shaman Plastic Art. Beijing: National Publishing House.