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Frontiers in Art Research, 2024, 6(12); doi: 10.25236/FAR.2024.061209.

Analysis of Tan Mizi’s Cantonese Music Style Suite for Flute

Author(s)

Wang Jieyu

Corresponding Author:
Wang Jieyu
Affiliation(s)

College of Music, Zhaoqing University, Zhaoqing, Guangdong, 526061, China

Abstract

The Suite for Flute which comprises three movements in the style of Cantonese music, is composed by Tan Mizi, a distinguished Chinese flutist and composer. Utilizing historical data of this piece of music, the author introduced the background and analyzed its musical structure, tonality and modes, techniques of flute performance and artistic conception. It is hoped that this article will offer valuable insights to performers of Tan Mizi's music and provide additional references for the interpretation of Chinese style flute compositions.

Keywords

Tan Mizi, Suite for Flute, Cantonese Music Style, Flute Performance

Cite This Paper

Wang Jieyu. Analysis of Tan Mizi’s Cantonese Music Style Suite for Flute. Frontiers in Art Research (2024) Vol. 6, Issue 12: 63-67. https://doi.org/10.25236/FAR.2024.061209.

References

[1] Ma Da, Liang Qianjing.(2015).A study on the formation of the Cantonese music style of the He family in Shawan Town from the perspective of human geography. Explorations In Music, 4, pp.9.

[2] Zhou Ran, Liu Xi.(2024).Research on the Orchestral Adaptation of the Cantonese Music "The Dragon Boat Race". Art and Literature for the Masses. 5,pp.59.

[3] Carin Levine, Christina Mitropoulos-Bott. (2002).The Techniques of Flute Playing. Barenreiter, pp. 12.