Welcome to Francis Academic Press

Frontiers in Art Research, 2025, 7(4); doi: 10.25236/FAR.2025.070412.

Respecting the Flowers of Nature: Exploring the Aesthetic Core of Ecological Dance through the Three Elements of Dance

Author(s)

Jiani Xia, Mengni Zhang

Corresponding Author:
Mengni Zhang
Affiliation(s)

Wuhan Conservatory of Music, Wuhan, 430060, Hubei, China

Abstract

There are many theories about the origin of dance, such as imitation theory, labor theory, witchcraft theory, sexual theory, etc. However, it cannot be denied that the original intention of dance was for self entertainment rather than viewing, it was casual rather than deliberate, and it was natural rather than theatrical. This article explores the diverse blooming of dance art from prayer dances such as Nuo dance and wax sacrifice to modern healing. The study suggests that dance art originated from nature and has always been revitalized through expression and exploration.

Keywords

biomimetic aesthetics, body narrative, dance ecology, cross media performance

Cite This Paper

Jiani Xia, Mengni Zhang. Respecting the Flowers of Nature: Exploring the Aesthetic Core of Ecological Dance through the Three Elements of Dance. Frontiers in Art Research (2025), Vol. 7, Issue 4: 83-88. https://doi.org/10.25236/FAR.2025.070412.

References

[1] Jin Q H. Exploring the Biomimetic Expression of Dance Movements [D]. Jilin Academy of Arts, 2016.

[2] Liu Z D. Dancing with a Hundred Beasts - On the Cultural Effects of Primitive Dance [J]. Literature and Art Research, 2000, (03):106-115.

[3] Zi H Y. Regarding "Dance Ecology" [J]. Southern Literature, 1997, (05):33-35.

[4] Ou J P. History and Appreciation of Foreign Dance Works [M]. Beijing: Higher Education Press, January 2008, 213.

[5] Zi H Y. Discipline Explanation of Dance Ecology [J]. Journal of Beijing Dance Academy, 2003, (03):28-33.