Academic Journal of Humanities & Social Sciences, 2020, 3(5); doi: 10.25236/AJHSS.2020.030514.
Wang Yinyin, Li Siqi
Coll.of Architecture,Anhui Science and Technology University, Bengbu Anhui 233000, China
In the Ming Dynasty, both the Ming Dynasty and the ruins of the official kiln of Qiao Jianzi retained a large number of objects with phoenix patterns of the Ming dynasty, these objects of the Phoenix pattern represents the early Ming Dynasty art style paradigm, but also reflects the social humanities and values of the time. Through the micro-exploration of the phoenix pattern art paradigm that remains in this area, this paper can more reasonably recognize the historical status and artistic value of the Phoenix pattern from the Song Dynasty and the Yuan Dynasty to the Qing Dynasty from the early Ming Dynasty.
Phoenix's pattern decoration, Ming dynasty early year, Form evolution, Phoenix's tail
Wang Yinyin, Li Siqi. Study on the Legacy of Phoenix Patterns in the Official Kilns of Both Imperial Cities and Qiao Jianzi in the Ming Dynasty. Academic Journal of Humanities & Social Sciences (2020) Vol. 3, Issue 5: 135-143. https://doi.org/10.25236/AJHSS.2020.030514.
[1] Xiao Qing Wang Yinyin Zheng Yihong (2019). Study on the Patterns and Artistic Value of Stone Carvings in Imperial City in Ming Dynasty. Journal of Social Sciences, Jiamusi University, no.6, pp.12-13.
[2] Yang Lu (2014). On Chinese Traditional Ceramic Decorative-Phoenix Patterns. Jingde town Ceramic Institute, vol.3, no.15, pp.18-19.
[3] Chen Shouxiang(1992). Masked Civilizations. Arts and Crafts Press, pp.10-11.