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Frontiers in Art Research, 2026, 8(3); doi: 10.25236/FAR.2026.080304.

Returning to Nature and Artistic Authenticity: The Reconstruction of Early Childhood Art Education Practice by Anji Play

Author(s)

Lilin Chen

Corresponding Author:
Lilin Chen
Affiliation(s)

A Center for Teacher Education Research, Beijing Normal University, Beijing, China

Abstract

Traditional early childhood art education has long been dominated by teacher demonstration and imitative creation, neglecting the connection between young children and their real-life experiences and play-based experiences. Anji Play, by relying on outdoor natural environments, low-structural natural materials, and children's spontaneous artistic behaviors, fundamentally reconstructs the logic of young children's artistic practice. This study employs qualitative research methods, combined with on-site video observation and contextual analysis, to explore how Anji Play supports children's authentic artistic expression grounded in real-life experience, from three dimensions: natural settings, low-structural materials, and spontaneous artistic forms. The findings reveal that the natural outdoor environment provides rich embodied experiences for artistic creation; low-structural natural materials unleash children's creativity and break through the limitations of template-based imitation; and children's spontaneous artistic activities enable them to create based on play experiences, forming reflective artistic narratives. This study confirms that Anji Play effectively rectifies the shortcomings of traditional skill-oriented art education and offers a new practical paradigm for early childhood art education.

Keywords

Anji Play; early childhood art education; returning to nature; artistic authenticity

Cite This Paper

Lilin Chen. Returning to Nature and Artistic Authenticity: The Reconstruction of Early Childhood Art Education Practice by Anji Play. Frontiers in Art Research (2026), Vol. 8, Issue 3: 23-30. https://doi.org/10.25236/FAR.2026.080304.

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