Welcome to Francis Academic Press

Frontiers in Art Research, 2020, 2(5); doi: 10.25236/FAR.2020.020503.

Formal Language Analysis of Contemporary Fine-Brush Bird-and-Flower Painting


Zhang Guoyang

Corresponding Author:
Zhang Guoyang

Academy of Arts, Jiangsu Normal University, 221100, China


Formal language is the foundation of the picture, the interpretation of the creative concept of the work and the unique way of communication between the author and the viewer. Specifically, interpreting contemporary meticulous paintings forms from the perspectives of diverse themes, subjective color expressions, and innovative composition methods has an important enlightening effect on promoting the meticulous painting to be fabulous in the new era.


fine-brush bird-and-flower painting, creative features, formal language

Cite This Paper

Zhang Guoyang. Formal Language Analysis of Contemporary Fine-Brush Bird-and-Flower Painting. Frontiers in Art Research (2020) Vol. 2 Issue 5: 15-18. https://doi.org/10.25236/FAR.2020.020503.


[1] Jiang Yue (2008). Research on Painting Form Language (Theoretical Study on Painting Form from Multidimensional Perspectives) [M]. Anhui Fine Arts Publishing House, pp.12.

[2] Wang Dagen (1985). Also talking about the innovation of Chinese painting-after watching the Chinese painting part of the “Sixth National Art Exhibition” [J]. Art Work, no.2, pp.19-20.

[3] Zeng Lei (2007). Research on Poems with Inscriptions in Tang Dynasty[D]. Nanchang University.

[4] Zhang Jian (2015). Freeze the puzzle-the impression of Chen Lin's works[J]. New Vision of Art, no.40, pp.211-214

[5] Zhao Qinguo (2003). Formal language of painting[M]. Jinan: Yellow River Publishing House, pp.210-211.

[6] Wu Yaohua (2002). Formal Language of Chinese Painting[M]. Beijing: People’s Fine Arts Publishing House.