Welcome to Francis Academic Press

Frontiers in Educational Research, 2020, 3(10); doi: 10.25236/FER.2020.031010.

On the Spread of Chinese Traditional Culture Represented in the Analects in European and American Countries


Sun Na

Corresponding Author:
Sun Na

Department of Qilu Culture Research, Shandong Normal University, Jinan, 250014, China


With the continuous improvement of China's international status, all aspects of China's right to speak in the world are also growing. Since the 18th National Congress of the Communist Party of China, General Secretary Xi Jinping has talked about Chinese traditional culture on many occasions, expressed his recognition and respect for traditional culture and traditional ideological value system, and put forward the slogan of”cultural self-confidence. Confucianism is the essence of traditional Chinese culture and one of the precious wealth of human beings. As the founder of Confucianism, Confucius' thought not only influenced the Chinese history for more than two thousand years, but also became the common wealth of human civilization. In recent years, the establishment of overseas Confucius Institutes has further enhanced people ’s understanding of Chinese language and culture and developed friendly relations between China and other countries. Confucianism is the mainstream and important component of Chinese traditional culture. The Analects embodies the most important ideas of Confucianism, and its influence in the world may be unmatched by any book in Chinese history. Therefore, paying attention to the cross-cultural communication of “The Analects of Confucius” on the basis of understanding Confucian classics and world culture has important practical significance for the external cultural communication of Chinese traditional culture.


Chinese traditional culture, European countries, American countries

Cite This Paper

Sun Na. On the Spread of Chinese Traditional Culture Represented in the Analects in European and American Countries. Frontiers in Educational Research (2020) Vol. 3 Issue 10: 46-48. https://doi.org/10.25236/FER.2020.031010.


[1] Tao Shumin. A Brief Analysis of the Application of Dynamic Sculpture in public Art -- A Case Study of Anthony Howe's Dynamic Sculpture, Art Review, June 2018.

[2] Xiong Ju. A Brief Analysis of “Interactive” Thinking of New Media Image Installation Art, Journal of Wuhan Textile University, October 2011.

[3] Feng Qiao. “Building a City Brand with Public Art Activities -- A Study on the Value of Guangzhou International Light Festival”, Journal of Fine Arts, March 2015.

[4] Meng Weidong. The Contemporary Background of the Existence and development of New Media Art, Journal of Anhui Normal University, January 2009.

[5] Xiu DE Xu. Analysis of the Open Characteristics of Interactive Installation Art, Art Technology, July 2013.