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Frontiers in Art Research, 2020, 2(7); doi: 10.25236/FAR.2020.020711.

A Study on the Image of “Joker” under the Analysis of Tragedy Theory and the Characterization of the Movie “Joker”(2019)

Author(s)

LI Yan

Corresponding Author:
LI Yan
Affiliation(s)

Tiangong University College Of Humanities 300387, Tianjin, China

Abstract

Based on the tragedy theory of Hegel and Nietzsche, this paper analyzes the reconstruction strategy of “joker” image in the movie “Joker”(2019) and explores the complex connotation and time metaphor of the image of “joker” through the interpretation of the movie.

Keywords

Joker image, Tragedy theory, Characterization

Cite This Paper

LI Yan. A Study on the Image of “Joker” under the Analysis of Tragedy Theory and the Characterization of the Movie “Joker”(2019). Frontiers in Art Research (2020) Vol. 2 Issue 7: 66-71. https://doi.org/10.25236/FAR.2020.020711.

References

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[2] YE Lang(2005). Principles of aesthetics. Beijing University Press, pp.342-343.
[3] [Germany] Hegel.(2017). Aesthetics (Volume I), Commercial Press pp. 262-260, 270-271.
[4] U.S.] Robert McKee (2001).”Story: material, structure, style and principles of screen play” China Film Press, pp.251.
[5] Germany] Hegel(2017). Aesthetics (Volume I), Commercial Press, pp. 281.