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Frontiers in Art Research, 2020, 2(7); doi: 10.25236/FAR.2020.020713.

Understanding of the Narrative Characteristics of Special Cultural Image Systems--Take “Doctor Edward” and “the Silent Lamb” as Examples

Author(s)

Huang Sheng

Corresponding Author:
Huang Sheng
Affiliation(s)

Fuzhou University of International Studies and Trade, Fuzhou, Fujian 350000, China

Abstract

The image system has many classifications. It presents the narrative mechanism of a film and television drama work through general reality logic, and uses aesthetic judgment as the main criterion to define the classification of the image system. This is a current breakthrough innovation attempt. However, the ontology and narrative characteristics of the special cultural image system are still blank in both international and domestic research. Therefore, this article deeply understands and studies the characteristics of the narrative mechanism of the special cultural image system, and analyzes and understands the characteristics of multiple cases.

Keywords

Special cultural image system, Narrative characteristics, Narrative mechanism, Case analysis

Cite This Paper

Huang Sheng. Understanding of the Narrative Characteristics of Special Cultural Image Systems--Take “Doctor Edward” and “the Silent Lamb” as Examples. Frontiers in Art Research (2020) Vol. 2 Issue 7: 78-83. https://doi.org/10.25236/FAR.2020.020713.

References

[1] Huang Lin, Li Ming (2004). On the narrative characteristics of special cultural image system. Journal of Southwest University for Nationalities (Humanities and Social Sciences Edition), vol.25, no.12, pp.500-503.
[2] Zhang Chunling (2009). On the relationship between the artistic expression medium of the film and the film’s narrative mechanism and narrative structure--The root cause of the domestic film “The Sun Also Rises” and “The Promise”. Popular Literature and Art, no.23, pp.125-126.
[3] Quan Tenglong (2015). On the “speciality” in the special cultural image system--Taking Inception as an example. Western Radio and Television, no.7, pp. 83, 85.