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Frontiers in Art Research, 2020, 2(8); doi: 10.25236/FAR.2020.020802.

Dynamic Visual Prose--a Study on the Visual Art Style of Takahata Isao's Animated Films

Author(s)

Chai Yanyu, Yin Jun

Corresponding Author:
Chai Yanyu
Affiliation(s)

Design College, Jiangnan University, Wuxi 214122, China

Abstract

Takahata Isao is a giant in the Japanese animation film industry. He has created many of the most popular animated films. His unique visual artistic style fully interprets the artistic and ideological nature of animation. This paper attempts to analyze and study the visual art style of Takahata Isao's works from three visual elements: painting style, color application and stream of consciousness expression. To pay tribute to this animation craftsman, and also to provide some help for the visual expression of Chinese animation films in the future, so as to provide some reference for relevant researchers.

Keywords

Takahata isao, Artistic style, Visual elements

Cite This Paper

Chai Yanyu, Yin Jun. Dynamic Visual Prose--a Study on the Visual Art Style of Takahata Isao's Animated Films. Frontiers in Art Research (2020) Vol. 2 Issue 8: 9-16. https://doi.org/10.25236/FAR.2020.020802.

References

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[3] Li Jinmei(2015):The Sorrow of Things and the Mystery: The National Cultural Characteristics of Takahata's animated films, Contemporary Films, no. 2, pp. 195-197.
[4] Gong Nian(2015), Yang Xiaolin. Fairy tale and prose culture: on the aesthetic characteristics of Takahata Xun's animated films. Contemporary film, no. 2, pp. 192-195.