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Frontiers in Educational Research, 2020, 3(14); doi: 10.25236/FER.2020.031415.

“Combine Things”--Wu Guanzhong's Emotion and Fusion Road of Painting Art

Author(s)

Lv Huabin

Corresponding Author:
Lv Huabin
Affiliation(s)

Huashang College Guangdong University of Finance and Economics, Guangzhou 511300, China

Abstract

Wu Guanzhong began to create oil paintings based on landscape sketches in the middle of the last century, injecting Chinese philosophical, artistic, aesthetic, and interesting views into the oil paintings, while retaining the beauty and refinement of Western oil painting colors for fusion Attempt has promoted the process of “nationalization of oil painting” and made tremendous contributions to the foundation of Chinese oil painting. Due to Wu Guanzhong's local roots and emotions, in the 1970s, Wu Guanzhong created and tried to innovate Chinese paintings, and also used traditional materials and tools to express modern aesthetics. He is also committed to the fusion of Eastern and Western arts and does his best to promote the direction of Chinese painting. Internationally, by virtue of its own strength, it arouses the waves of contemporary Chinese painting. This article aims to establish Wu Guanzhong's standards for Chinese painters, and any Chinese art lover should follow this example.

Keywords

Wu guanzhong, Emotion, Fusion, Concept

Cite This Paper

Lv Huabin. “Combine Things”--Wu Guanzhong's Emotion and Fusion Road of Painting Art. Frontiers in Educational Research (2020) Vol. 3 Issue 14: 86-90. https://doi.org/10.25236/FER.2020.031415.

References

[1] Wu Guanzhong(2004). I Lose Dan Qing” [M]. People's Literature Publishing House, pp.12-13.
[2] Wu Guanzhong(2010). Everybody's Prose-Pen and Ink equal to zero” [M]. Jiangsu Literature and Art Publishing House, pp.8-9.
[3] Wu Guanzhong (2008). The Spring and Autumn of the Painting World-An Interview with Famous Chinese Artists” [M]. People's Fine Arts Publishing House, pp.1112.
[4] Wu Guanzhong (2003). Wu Guanzhong's Ink and Color Works Collection [M]. Beijing Arts and Crafts Publishing House, pp.7-8.