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Frontiers in Art Research, 2021, 3(1); doi: 10.25236/FAR.2021.030102.

From Flatness Towards the Spiritual Connotation: An Analysis of the Planarity of Painting


Changnong Yu

Corresponding Author:
Changnong Yu

Nanchang Normal University,Nanchang 330013, Jiangxi, China


Painting art is a combination of space and perception. In the development of modern art, the art of painting moves from three-dimensional to planar. The masters of painting continue to explore the overall sense of painting, highlighting the agility of painting through two-dimensional drawing and three-dimensional drawing. The planarity of the painting gives the painting more spiritual connotation and makes the picture more complete. In this article, with the flatness of painting as the core of the research, the laws and characteristics of the flatness of painting are analyzed, and the essence of the flatness of painting from natural feeling to the development in the spiritual level is explained in depth. By analyzing the works of the artists, the study of space and plane by art masters has been clarified. At the same time, it highlights the epoch-making development significance of the flatness of painting, and highlights the artistic creation and technical development of painting.


Painting, Planarity, Spiritual development, Works analysis

Cite This Paper

Changnong Yu. From Flatness Towards the Spiritual Connotation: An Analysis of the Planarity of Painting. Frontiers in Art Research (2021) Vol. 3 Issue 1: 5-9. https://doi.org/10.25236/FAR.2021.030102.


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