Welcome to Francis Academic Press

Frontiers in Art Research, 2021, 3(1); doi: 10.25236/FAR.2021.030113.

Application of the Emotional Meaning of Lotus in the Design of Ceramic Products


Haijun Liu*

Corresponding Author:
Haijun Liu

Chongqing Vocational Institute of Engineering, Chongqing, 402260, China

*Corresponding Author’s e-mail: [email protected]


The image of lotus embodies profound spiritual connotation and cultural atmosphere, and presents colorful visual forms in different eras in China. Starting from the emotional point of view, this article is based on the three levels of emotional design, combined with the situational semantics in the product semantics to form emotional semantics, and conducts a series of design studies, and tries to apply them in ceramic products.


Emotion, Lotus, Ceramic products, Design

Cite This Paper

Haijun Liu. Application of the Emotional Meaning of Lotus in the Design of Ceramic Products. Frontiers in Art Research (2021) Vol. 3 Issue 1: 48-50. https://doi.org/10.25236/FAR.2021.030113.


[1] D. P. Cui (2019). Talking about lotus, painting lotus, image lotus pond. Ceramic Science and Art, vol.53, no.03, p.55-57.

[2] H. X. Wu (2018). Talk about how to paint lotus on porcelain.Ceramic Research, vol.33, no.01, p.78-80.

[3] N. Yang (2016). Analysis of the 20th Century Chinese Painting Lotus Creation Style. Qi Lu Yi Yuan, no.06, p.72-75.

[4] X. L. Li (2020). Analysis of Ceramic Art in the New Era--Taking “Fengming Chaoyang” as an example. Textile Industry and Technology, vol.49, no.11, p.42-43.

[5] C .H. Xu (2020). A Brief Talk on Contemporary Painted Ceramic Art. Foshan Ceramics, vol.30, no.10, p. 31-32.

[6] Y. H. Cao (2020). The humanistic significance of childlike subjects in ceramic art decoration. Ceramic Research, vol.35, no.05, p.60-62.

[7] H. H. Tian (2020). On the relationship between ceramic art and ceramic craftsmanship. Ceramic Research, vol.35, no.05, p.78-80.

[8] S. J. Li, H. Li (2020). Intergenerational Transformation of the Art Style of Jingdezhen's Modern Porcelain Painting in a Century. Chinese Ceramics, vol.56, no.10, p.81-88.