Chaoyue Yu1,*, Yunfei Fang2
1 College of Education, ST.Paul University Philippines, Tuguegarao City, Philippines
2 School of Housing Building and Planning, University Sains Malaysia, Malaysia
The progress and development of natural science in recent years brought with big data, artificial intelligence, Internet of things and cloud computing as a representative of the fourth industrial revolution for human society, human society further towards digitization, electronic image is changing the way people perceive, It is because of the change of observation method that the traditional plastic arts have fallen into a dilemma and anxiety. originally it must be through a lot of training and study hard in the day after tomorrow to the precision of plastic arts, now only need to print out the electronic image, by printing blue paper or coating the back of electronic manuscript with lead dust, tracing and rubbing the outline of the object on the front of the manuscript with a pen can get the outline of the object.Although such mechanized operation is convenient, but it caused the loss of works of art; We should be natural and mental harmony embodied in the picture, refused to the mind of draw on advantage, but in the face of technological progress and electronic image generalization, and realistic cost of the painting inspection, we should go to explore how to adapt to development, and can bring the results of rational utilization of science and technology, in the service of plastic arts and make corresponding contributions to the development of art;While using electronic images to paint, we also need to consider its copyright issues. The copyright of photographic works is generally not paid attention to in China. When arts use electronic images, these issues are urgently needed to be discussed and cannot be avoided, and the above issues are covered in this paper.
plastic arts; The artistry of the work; Image Age; The copyright consciousness
Chaoyue Yu, Yunfei Fang. The Dilemma and Challenge of Plastic Art in the Age of Image. Frontiers in Art Research (2021) Vol. 3, Issue 2: 35-40. https://doi.org/10.25236/FAR.2021.030207.
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