Welcome to Francis Academic Press

Frontiers in Art Research, 2021, 3(3); doi: 10.25236/FAR.2021.030301.

Analysis of the Reflection of Audience Participation in the Film and Television Drama


Zhou Yu

Corresponding Author:
Zhou Yu

Tiangong University, Tianjin, 300387, China


With the deepening of the current media convergence, the audience is changing from the receiver of communication content to the producer of communication content. In this context, when audiences watch movies and TV dramas through new media platforms, their sense of participation will become increasingly prominent. This paper will study the deepening of audience's sense and its relevant significance under the background of new media from the three aspects of early traditional media, bullet comments culture and interactive dramas.


Participation, movies and TV plays, interactive play

Cite This Paper

Zhou Yu. Analysis of the Reflection of Audience Participation in the Film and Television Drama. Frontiers in Art Research (2021) Vol. 3, Issue 3: 1-5. https://doi.org/10.25236/FAR.2021.030301.


[1] Zhou Rongting, Guan Huaji(2010).Participatory culture: a brand new style of media culture [J]. News enthusiasts, 2010 (12), pp.16-17.

[2] Zhang Fabio(2010). The Fate of the "Author" in the Post-era -- An Interpretation of Roland Barthes's Death of the Author [J].Journal of Ningxia Normal University, 2010(02), pp.49-53.

[3] Jian Fang (2002). S/Z: The Subversion of Roland Barthes [J]. Reading Books, 2002(04), pp.69-70.

[4] Zhang Jiayi, Dong Huiping(2020).The new situation of TV drama content development in the era of mobile Internet -- taking the interactive film and television of iPartment 5 as an example [J].Audio-Visual. 2020(07), pp.47-48.

[5] Li Yi (2020). On the Cultural Practice of Audience Participation in Film and TV Dramas from the Perspective of Interactive Dramas [J]. China TV, 2020 (10), pp.68-72.

[6] Fu Long (2020). The New Turning Point of Changing Times: An Analysis on the Innovation and Prospect of Variety Shows Recorded in Cloud [J].China TV, 2020 (10), pp.77-81.