Academy of Fine Arts, Zhejiang Normal University, Jinhua, 321004, Zhejiang, China
Comprehensive material painting, as a unique form of easel painting, is the innovation of modern art language for the development of the times. The development of comprehensive material painting in China has broken through the formalism aesthetics in traditional art, reflecting the innovation and inclusive practice of Chinese artists who dare to be the first and write first. Chinese artists have been breaking through the stereotypes that restrict artistic creators. Chinese artists have been breaking through the stereotypes that restrict artistic creators. In the exhibition of comprehensive material painting works recently years, many artists have explored the thinking expansion of comprehensive material painting creation and the vitality of the art era. With the Chinese various of art realities and objective facts during practice as it’s foundation, Chinese comprehensive material painting boldly breaks through the subjective limitation of " Chinese essence and Western utility ", and serious judgment and rational analysis are provided in the process of creation. Chinese comprehensive material painting takes absorbing the excellent traditional culture of our nation as the inner logic, meanwhile, it integrates the national spirit of the imagery with the expressive value of the times, creating new cultural significance and context of the times through multiple material languages.
Comprehensive Material Painting; Material Language; Localization Practice
Huang Zhehao. Language Expression and Notion Shaping of Comprehensive Material Painting. Frontiers in Art Research (2021) Vol. 3, Issue 4: 25-27. https://doi.org/10.25236/FAR.2021.030405.
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