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Frontiers in Art Research, 2021, 3(4); doi: 10.25236/FAR.2021.030406.

The Source of Ecological Aesthetics in Chu Ten-chun Art Style


Meng Lijun

Corresponding Author:
Meng Lijun

School of Art, Anhui University of Finance and Economics Bengbu 233030, China


From the perspective of ecological aesthetics horizon, Chu Teh-chun contains rich ecological aesthetic wisdom in the artistic style formed under different cultural backgrounds in Chinese and western China. The nature of its artistic concept, the pursuit of the unity of the eyes and palms, and the intervention of all the senses in the eyes and ears are the practice and interpretation of "participating in aesthetics" in contemporary ecological aesthetics. The ecological aesthetic wisdom contained in Chu Teh-chun's artistic concept and style of his works is of great significance for reference for Chinese art creation under the background of the new era. 


Ecological aesthetics; artistic style; integration of Chinese and Western countries; Chu Teh-chun

Cite This Paper

Meng Lijun. The Source of Ecological Aesthetics in Chu Ten-chun Art Style. Frontiers in Art Research (2021) Vol. 3, Issue 4: 28-31. https://doi.org/10.25236/FAR.2021.030406.


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[5] Xing Xiaozhou "Xing Xiaozhou Interview-Chu Teh-chun Art Exhibition", Guangzhou Art Museum, 2000.