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Frontiers in Art Research, 2021, 3(4); doi: 10.25236/FAR.2021.030406.

The Source of Ecological Aesthetics in Chu Ten-chun Art Style

Author(s)

Meng Lijun

Corresponding Author:
Meng Lijun
Affiliation(s)

School of Art, Anhui University of Finance and Economics Bengbu 233030, China

Abstract

From the perspective of ecological aesthetics horizon, Chu Teh-chun contains rich ecological aesthetic wisdom in the artistic style formed under different cultural backgrounds in Chinese and western China. The nature of its artistic concept, the pursuit of the unity of the eyes and palms, and the intervention of all the senses in the eyes and ears are the practice and interpretation of "participating in aesthetics" in contemporary ecological aesthetics. The ecological aesthetic wisdom contained in Chu Teh-chun's artistic concept and style of his works is of great significance for reference for Chinese art creation under the background of the new era. 

Keywords

Ecological aesthetics; artistic style; integration of Chinese and Western countries; Chu Teh-chun

Cite This Paper

Meng Lijun. The Source of Ecological Aesthetics in Chu Ten-chun Art Style. Frontiers in Art Research (2021) Vol. 3, Issue 4: 28-31. https://doi.org/10.25236/FAR.2021.030406.

References

[1] Feng Youlan, A Brief History of Chinese Philosophy, Peking University Press 1996, p. 15. 

[2] Li Zifeng, Improvement and Guardian of Chinese Painting, Chinese Academy of Art, 2013. 

[3] [Beauty] George Santaenna: Beauty, China 1982, p. 33-34. 

[4][Beauty] George Santaenna: Beauty, China Social Sciences Press 1982, p. 12. 

[5] Xing Xiaozhou "Xing Xiaozhou Interview-Chu Teh-chun Art Exhibition", Guangzhou Art Museum, 2000.