Frontiers in Art Research, 2021, 3(4); doi: 10.25236/FAR.2021.030413.
Zhao Yin
School of Guangzhou Huashang College, Guangzhou, Guangdong Province, China
With the help of ecology + new media communication mode, this paper arouses the social groups, especially the youth groups, to think about the development of Chinese Intangible Cultural Heritage and fashion innovation in the new era by excavating the aesthetics of Chinese artifacts, promoting the integration of Intangible Cultural Heritage and modern design, indirectly guiding the market orientation and its ecological application methods under the aesthetic trend of contemporary society, so that Intangible Cultural Heritage can return to contemporary life more quickly and better. Because of this, this paper intends to take historical clues as to the warp, aesthetic characteristics as the weft, and use the literature collection method and triple argument method to discuss the following four aspects: 1. cultural origin 2. creation characteristics 3. aesthetic sentiment 4. inheritance methods.
Lingnan Nine Intangible Cultural Heritage; Creation Aesthetics; Fashion Innovation; Smart Teaching Method
Zhao Yin. Research on Smart Teaching Method of Fashion Innovation and Development of Creation Aesthetics in Lingnan Nine Intangible Cultural Heritage. Frontiers in Art Research (2021) Vol. 3, Issue 4: 62-70. https://doi.org/10.25236/FAR.2021.030413.
[1] Han Wei. The application of video technology in the inheritance of intangible cultural heritage in the new media era--Review of "New media art application design--the topic of intangible cultural heritage in Lingnan"[J]. Journal of Chinese Education, 2018(3).
[2] Wang Bijing, Lin Chunda, Zhu Hongwei. A study on the inspiration of tea culture communication on Intangible Cultural Heritage culture communication in western Guangdong under the new media perspective [J]. Fujian tea, 2018, v.40; No.201(9):336.
[3] Li Yanxia, Zeng Yanwen. Translation and changes of Lingnan Cantonese opera in the context of cross-cultural communication: an example of English translation of the Cantonese opera classic "The Imperial Lady's Flower - Xiang Yao"[J]. Sichuan Drama, 2018, 217(09):20-25.
[4] Chen Kaisi. The digital age and the end of the straw stage - the historical evolution and future development of Lei Opera choreography [J]. Art Review, 2014(10):116-120.
[5] Li Ziruo, Lai Jieyi, Li Xiaoxue. Reflections on the heritage of Guangfu brick carving craftsmanship and the ecology of the industry[J]. Guangdong Garden, 2017(6):17-21.