Guangzhou, as a famous cultural city with rich history of opening to the outside world, has experienced many changes in its urban landscape. From the appearance of the city to the meaning of the landscape inside, Guangzhou landscape shows the other and the gaze in the earth in the context of globalization from the perspective of documentary reality and fiction of drama. Since the new century, Chinese films have presented their Lingnan characteristics and increasingly converging urban culture. The constructed landscape society conveys a deep logic of urban life from the perspective of film.

Siji Chen. Landscape City: Guangzhou Landscape Presentation in Chinese Movies in the New Century. Frontiers in Art Research (2021) Vol. 3, Issue 5: 1-4. https://doi.org/10.25236/FAR.2021.030501.

[1] Guy Debord: "Landscape Society", translated by Zhang Xinmu, Nanjing: Nanjing University Press, 2017, p. 3.

[2] Guy Debord: "Landscape Social Review", translated by Liang Hong, Guilin: Guangxi Normal University Press, 2007, p. 28.

[3] Michel Foucault: "Eyes of Power: An Interview with Foucault", translated by Yan Feng, Shanghai: Shanghai People's Publishing House, 1997, p. 27.