School of Chinese Studies and Exchange, Shanghai International Studies University, Shanghai 200083, China
Affected by personal life experiences, Su Tong can keenly have the feelings in different spaces, so his works have obvious spatial awareness. In writing My Life as Emperor, Su Tong used spatial narrative techniques to shape the two spaces of Pinzhou and the Xie Palace to express the theme of loneliness in life, and also told the state of reincarnation between the history and personal destiny through the circular space form.
My Life as Emperor, the Xie Palace, Pinzhou, spatial form, space narrative
Lai Ningna. Analysis of Space Narrative in Su Tong's My Life as Emperor. Frontiers in Educational Research (2021) Vol. 4, Issue 9: 73-76. https://doi.org/10.25236/FER.2021.040914.
 Gaston Bachelard. Translated by Zhang Yijing. The Poetics of Space. Shanghai Educational Publishing House, 2009.P11
 Henri Lefebvre. The Production of Space, in Modernity and the Production of Space, Bao Yaming . Shanghai Educational Publishing House, 2003.P87
 Joseph Frank. Spatial Form in Modern Literature. Peking University Press, 1991.P2
 Long Diyong. A Study of Spatial Narrative. SDX Joint Publishing Company, 2015.P93
 Zhu Liyuan. Contemporary Western Literary Theories (the Second Edition). East China Normal University Press, 2005.P489
 Su Tong. The Secret of the River. The Writers Publishing House, 2009.P71
 Su Tong, Fu Xiaoping. I Firmly Believe that the Whole World can be Moved to Xiang Chenshu Street. Yellow River Literature, 2013.10
 Zhou Xinmin. Su Tong. Opening the Wrinkles of Human Nature - an Interview with Su Tong. Novel Review, 2004.2.P28
 Jiang Guangping. Listen Carefully to the Sound of the World - Dialogue with Su Tong". Literature Education (Middle), 2010.1