Stage performance is a performing art, it usually refers to dance performances, supporting performances, singing performances, etc. The soul of the stage should be emotion, which requires the performer to analyze the emotional experience of the character before performing, and to show the audience a vivid story and character image through the form of the stage. The expression of emotion in performance teaching is studied, which not only represents the author's creative emotion and thinking, but also represents a kind of cultural connotation and life concept. In teaching, we need to constantly improve the love of performance, solid basic skills of stage performance, to stimulate students' interest in stage performance, so that students love the stage performance cause. In the teaching of stage performances, we should also pay attention to the training of students' basic skills, deepen their experience of performing works, and show their thoughts and feelings. In the context of the present cultural development, the development of stage performance education has ushered in spring. The expression of emotional expression in stage performance will be studied, and specific methods will be pointed out to help the stage actors to master the emotion in the stage as soon as possible, thus showing the best stage effect for the audience.

Liang WEI. Research on Improvement of Emotion Expression in Performance Teaching.  Frontiers in Educational Research (2019) Vol. 2 Issue 3: 1-7. https://doi.org/10.25236/FER.033035.

[1] SUN D W, ZHANG G Y, ZHENG W M. Big data stream computing:technologies and instances[J]. Journal of Software, 2014,25(4):839-862.
[2] HAO S G, ZHANG L, and MUHAMMAD G. A union authentication protocol of cross-domain based on bilinear pairing[J]. Journal of Software, 2013, 8(5): 1094-1100.
[3] MA Youzhong, ZHANG Zhihui, LIN Chunjie. Research progress in similarity join query of big data. Journal of Computer Applications, 2018, 38(4): 978-986.
[4] Liu Hongyun. On the stimulation and cultivation of emotion in Dance Teaching [J]. Art science and technology,2014, (6): 55-56.
[5] Li Zhixin. On the importance of emotional expression in stage performance [J]. Electronic production,, 2014, (4): 271-272.
[6] Zhao Kwon. On the importance of emotional expression in stage performance [J]. Music time and space, 2014, (7): 111.
[7] Wang Yan. How the actors express their emotions in the stage [J]. House of Drama, 2015(24): 135.
[8] Yang Songyi. On the expression of emotional expression in stage performance [J]. The House of Drama, 2015(11): 135,139.
[9] ZIHAYAT M,AN A.Mining top-k high utility patterns over data streams[J].Information Sciences,2014,285:138-161.
[10] YUN U,RYANG H,RYU K H.High utility itemset mining with techniques for reducing overestimated utilities and pruning candidates[J].Expert Systems with Applications,2014,41(8):3861-3878.
[11] JIANG Y Z, CHUNG F L, WANG S T, et al. Collaborative fuzzy clustering from multiple weighted views[J]. IEEE Transactions on Cybernetics, 2015, 45(4): 688-701.
[12] PAO W, LOU W, CHEN Y, et al. Resource allocation for multiple input multiple output-orthogonal frequency division multiplexing-based space division multiple access systems [J]. IET Communications, 2014, 8(18):3424-3434.
[13] EI-SAYED A M A, ELSAID A, NOUR H M, et al. Dynamical behavior, chaos control and synchronization[J]. Communication in Nonlinear Science and Numerical Simulation, 2013, 18(1): 148-170.
[14] XIAO Zida, ZHU Ligu, FENG Dongyu, ZHANG Di. Performance optimization of distributed database aggregation computing. Journal of Computer Applications, 2017, 37(5): 1251-1256.
[15] HAN J, HAIHONG E, LE G, et al. Survey on NoSQL database[C]//Proceedings of the 20116th International Conference on Pervasive computing and applications. Piscataway, NJ:IEEE, 2011:363-366.