Welcome to Francis Academic Press

Academic Journal of Humanities & Social Sciences, 2021, 4(12); doi: 10.25236/AJHSS.2021.041207.

A Study on the Metaphors of Chinatown in The Concubine’s Children

Author(s)

Wang Fafa

Corresponding Author:
Wang Fafa
Affiliation(s)

Inner Mongolia University, Hohhot, 010000, China

Abstract

The literary background of Denise Chong’s novel The Concubine’s Children mainly sets in Chinatowns in Canada, where Chinese immigrants struggled for a living, strived for their dreams, and preserved their “portable root”, in second half of the nineteenth century. By narrating the real family stories and representing living conditions of her former generations in Chinatown, Denise Chong expressed her admiration and pride to them, and even stood in awe of them. Chinatown in Canada, once was the enclave for the early Chinese-Canadians who were isolated from the social mainstream, political and cultural life. It is not only a witness of the history of Chinese-Canadians and a spiritual home, but also a muse who gives inspiration to the creation of Canadian-Chinese literature. By analyzing the metaphorical figures of Chinatown--Utopia, transplanted tree, and invisible dome, the essay probes into the implications and significance of Chinatown, its multifaceted images being unveiled. Meanwhile, courage, tolerance and persistence in Chinese immigrants are revealed. 

Keywords

Metaphor, The Concubine’s Children, Chinatown, Denise Chong

Cite This Paper

Wang Fafa. A Study on the Metaphors of Chinatown in The Concubine’s Children. Academic Journal of Humanities & Social Sciences (2021) Vol. 4, Issue 12: 30-36. https://doi.org/10.25236/AJHSS.2021.041207.

References

[1] Cai, Xiao hui. The Ethics of Patriarchal Clan System in the Context of North America: A Literary Ethical Analysis of Disappearing Moon Café by Chinese Canadian Writer Sky Lee. Foreign Literature Studies, 2018, 40(06):51-63. 

[2] Cai, Xiao hui. A wakening of Women’s Consciousness and Changing Family Modes in Canadian Chinese Community in the First Half of the 20th Century: Denise Chong’s The Concubine’s Children as the Center of Discussion. Journal of Overseas Chinese History Studies, 2020(03):63-72.

[3] Chao, Lien. Beyond Silence: Chinese Canadian Literature in English. Toronto: TSAR Publications, 1997.

[4] Cho, Lily. “Asian Canadian Futures: Diasporic Passages and Routes of indenture.” Canadian Literature 199 (2008):181-201,231

[5] Chen, Zhongyi. The Historical Changes and Implication of Chinese Image—Taking Canadian Chinatown as an Example. Journal of Guangzhou Institute of Socialism,2010,8(04):65-68.

[6] Denise, Chong. The Concubine’s Children, Chongqing: Chongqing Publishing House, 2012

[7] Diehl, L. (2016). Disrupting the national frame: A postcolonial, diasporic (re)reading of Sky Lee’s Disappearing Moon Café and Denise Chong’s The Concubine’s Children. ESC, 42(3-4), Winter(I56) 

[8] Feng, Zhen. A history of Canadian literature in English, Shanghai: Shanghai Educational Publishing House, 2010 

[9] Jia Tan & P.E. Roy, The Chinese in Canada, Ottawa: The Canadian Historical Association, 1985

[10] Lee, Shelley Sang-Hee. A New History of Asian America. New York: Routledge, 2014

[11] Li, Hui. Reconstructing the Ethnic History: The Chinatown Narrations of the First-generation Canadian-born Chinese Writers. Journal of Sichuan University (Philosophy and Social Science Edition),2019(03):111-118.

[12] Liu, Tianwei. Struggle and Hope——A Thematic Study of The Concubine’s Children.2010. Inner Mongolia University, MA thesis.

[13] Liu, Tianwei & Yang, Yanping. Deconstruction of Patriarchy in the Concubine’s Children. Journal of Inner Mongolia University of Technology (Social Sciences Edition), 2011,20(01):75-78.

[14] Liu Tian-wei. Narration, History and Cultural Identity: Illustration of The Concubine's Children. Proceedings of the Seventh Northeast Asia International Symposium on Language, Literature and Translation.2018:335-340.

[15] Try, Eleanor. (2002) Writing Historiographic Autoethnography: Denise Chong’s The Concubine’s Children.ESC,28(2), (June),269-292

[16] Wah, Fred. Alley Home Free. Red Deer: Red Deer College Press, 1992 

[17] Zhao, Qingqing. The Emergence of Chinese-Canadian Bildungsroman and the Evolution of its Cross-Generation Identity. Literatures in Chinese, 2018(06):110-125.

[18] Zhuang Jian & Hong Fei. Open the Door of Grandmother—An Interview with Chinese Canadian Writer Denise Chong. Translation, 2011(03):210-213.