Welcome to Francis Academic Press

Academic Journal of Humanities & Social Sciences, 2019, 2(3); doi: 10.25236/AJHSS.040082.

The Aesthetic Value of Peasant Paintings of Hu County under the View of Urbanization

Author(s)

Shengrong Sang

Corresponding Author:
Shengrong Sang
Affiliation(s)

Chinese Department, School of Humanities and International Education, Xi'an Peihua University, Xi'an, China

Abstract

There is a complex assimilation relationship between the peasant paintings of Hu County and the mainstream culture in the realistic context of China, which leads to the obscuration of the aesthetic value of peasant painting. With the transformation of tradition and modernity, the new urbanization construction has recovered the folk aesthetic value represented by the peasant paintings of Hu County, with the memory of the homesickness, the peasant painting aesthetics has been promoted, and efforts have been made to reconstruct a new balance point with the mainstream culture. Moreover, in the context of the ''tear'' of values, the reorientation of peasant paintings plays the role of value identification and value integration. This requires re-examining and evaluating for the aesthetic value of the peasant paintings of Hu County.

Keywords

recover, reconstruct, peasant painting, aesthetic value

Cite This Paper

Shengrong Sang. The Aesthetic Value of Peasant Paintings of Hu County under the View of Urbanization. Academic Journal of Humanities & Social Sciences (2019) Vol. 2, Issue 3: 130-137. https://doi.org/10.25236/AJHSS.040082.

References

[1] Duan Jingli. The Peasant Painting of Hu County, Henan University Department Press. 2005, p.9
[2] Chen Sihe. Ups and Downs of the Folk——A Trial Interpretation from War of Resistance against Japan to Cultural Revolution, Shanghai Literature 1994 (1): pp. 68-80
[3] Liu Jingzhao. How to Get Rid of Value Crisis in the Transition Period- Discussion on the Construction of Value Integration and Value Community [J], Exploration and Free Views, 2013, (1): pp.51-56.
[4] Pan Lusheng, Locality and Modernity: An Introduction to Modern Folk Painting, Fine Art, 1990 (8)
[5] Hang Jian. Behind the Rise and fall of a Noun [J]. Art Observation, 2002 (7): p.12.
[6] Jiang Ming et al. Develop County Economic Competitiveness——An Empirical Study on the Development of Peasant Painting Industry in Hu County, Shaanxi Province, Journal of Southwest University for Nationalities, 2005 (2): pp.167-169
[7] Zhou Xueqin, Hu County's Peasant Painting: an Art Arising from Yellow Earth, China Homes, 2009 (2): pp.110-115.
[8] Wan Junren. Economic Globalization and Cultural Pluralism [J]. Chinese Social Sciences, 2001 (2): pp.38-48.
[9] Ruan Zhangyun. Inherit in Persistence, Develop in Change [H]. China Art News, 2014-8-1.
[10] Ji Xianlin, Red [J]. Literature, 1934, 3 (4): pp.911-915.
[11] Lu Shaoming, Temporal and Spatial Image of Chinese Xiangchou and its Urban Humanistic Renaissance, Modern Urban Research, No. 8, 2016, pp.2-10.
[12] Li Minghao. Value of Ethical Memory of Non-legacy Protection. Exploration and Free Views, No.6, 2017.
[13] Yan Ningmei, A Symbol of Self or Ideology: An Aesthetic Research on the Chinese Farmers' Paintings, Journal of Hubei University (Philosophy and Social Sciences), 2011 (2): pp.47-51.
[14] Chinese Peasant Painting Art Walks to the World-Chengtian Art Museum, 2008 China Peasant Painting Creation Exhibition [EB/OL]. http://news.artxun.com/ minjianhuihua -1434-7167363. shtml