Frontiers in Art Research, 2022, 4(1); doi: 10.25236/FAR.2022.040107.
Chen Jingxian
School of Art, Anhui University of Finance and Economics, Bengbu 233020, China
Color is not only the linguistic element of human perception of the world, but also the starting point of artistic perception and artistic analysis. As an important part of art language, it together with modeling language constitutes the indispensable core language of visual art, which not only affects the artistic expression of the whole creation, but also affects the artist's spiritual world. Due to the development of different cultural systems in China and the West, there are also some differences in color language systems, mainly in its own color language characteristics and usage. Since the 20th century, the color language in Chinese painting has shown the tendency to learn from Western art, which has also led to the fusion of color concepts of Chinese and Western painting to some extent. In this process, whether Western painters or Chinese painters, the attention and research on the color system of Western oil painting occupy the main part of painting theory. However, despite many achievements, Chinese painters' study of the localization of oil painting color is still difficult to carry out. Therefore, the development of Chinese oil painting color language needs to be re-examined and positioned.
oil painting; color language; Chinese and Western painting
Chen Jingxian. Study on the development of Chinese oil painting color language under the fusion of Chinese and Western painting. Frontiers in Art Research (2022) Vol. 4, Issue 1: 34-37. https://doi.org/10.25236/FAR.2022.040107.
[1] Institute of Fine Arts, China Academy of Art. 2016 Seminar Papers on Traditional Chinese Color Theory. Beijing: Culture and Art Publishing Social,2016:23
[2] Hu Wei. Cultural Search for Folk Art. Changsha: Hunan Fine Arts Publishing House, 1994:324.
[3] Wang Wenxuan. Taoist Color View (J). Art Watch, 2006 (6): 43.
[4] He Zhengguang .Sessan (M). Shijiazhuang: Hebei Education Press, 1998:41
[5] Dolly. Notes by Da Vinci (M) Beijing: Nova Press, 2010:53.