School of Media and Film & Television, China Univerisity of Labor Relations, Beijing, China
"Mountains May Depart" becomes more classic because of its unique sound presentation. Media voice is linked with culture in a transmission value, carrying the voice in the audience's memory and fascinates the audience. Dialect is the embodiment of a family culture and root-seeking culture, and can meet demand for regional imagination consumption for audiences. The unique music design makes “Mountains May Depart " not only have cultural attributes, but also has the memory of the times. In conclusion, the film's unique sound setting makes the film more real, sincere and moving.
Mountains May Depart; Sounds Art; Jia Zhangke
Xutong Zhu. Analysis of Sound in the Film Mountains May Depart. Frontiers in Art Research (2022) Vol. 4, Issue 3: 28-33. https://doi.org/10.25236/FAR.2022.040306.
 Li Jiuru: "Mountains and Rivers May Depart: Trauma, Nostalgia and Nostalgia", Film Art, no.1, 2016, pp. 27-29.
 Zhangke: The Most Important Thing in Making a Film is "Discovery" -- A Dialogue with Director Jia Zhangke, Contemporary Film, 2015, 11, pp. 38-46.
 Wang Guangfei: Analysis of Metaphorical Symbols in The film Mountains May Depart, Contemporary Cinema, no.6, 2017, pp. 187-190.
 Dai Qing, Duan Jingying, "The Construction of Mass entrepreneurship and Innovation in the Generation of Artistic conception: The Aesthetic Pursuit of Chinese poetic Films since the new century", Contemporary Film, no. 8, 2020, pp. 154-159.
 Hou Dongxiao, Sun Lizhen: Persistence, Decline and Change under The Change of Times -- A Look at the Evolution of Jia Zhangke's films from "Mountains May Depart". Qilu Arts,no. 8, 2017 pp. 95-98.
 Li Yizhou and Ye Lan: Jia Zhangke's change and persistence from the perspective of his old friend, film literature, 2016, No. 9, pp. 139-141.
 (French) Andrei Bazin, translated by Li Junfan. What is a movie? Huazhong University of Science and Technology Press, 2019. pp. 81-121
 Wang Junwei. Cross-cultural Conflict and Hometown Identity in Mountains And Rivers May Depart, Contemporary Cinema, no.9, 2016, 160-163.